I’ve been thinking hard about cover art and what cover art can and can’t do for a book. Good cover art might make someone pick up a book, might give someone a correct impression of what’s inside, and acts as an adjunct for the writing. I really like Kelli’s cover art, which seems evocative and strange, something that invites rather than subtracts. You want art that invites the reader into the book. Something that communicates the mood without ruining the surprise. Also, how awesome is it to worry about cover art? So much more fun than worrying about rejections. Doing a little happy dance again for the book and for my new publisher. So many things to be thankful for this weekend!

Related to this: I promised a story about how twitter led to me finding a home for my second book. For a long time I resisted twitter. What can you do in 140 characters, I asked. Then, for some reason, I just signed up. I knew Margaret Atwood was up there, twittering away, and Aimee Mann, two artists I respected. I knew publishers – like Kitsune Books, Graywolf Press, among others – had twitter accounts. One of the terrific side-effects of signing up for a twitter account was learning more about a potential publisher and their likes/dislikes – the Kistune Books editors talked about music, querying, and publishing biz – all of which made me like them more and feel that they were a good fit for my work. This led me to the querying, and then the rest is history.
Another reason to sign up for twitter? A suprising number of job leads – people post links to jobs almost every day!

In honor of my publisher and the fox-wife theme of my new book, here is an adorable picture of baby bat-eared foxes for no reason!