Oh, ow! I cracked a tooth/filling, and now have to go tomorrow to get the broken part of the tooth removed and the filling and have it re-filled, then go back and get a crown – my first one! I’m so nervous b/c I’m allergic to novocaine-type medicines and can’t take codeine, so I’m going to try this with tylenol and NO2 (as per the dentist’s suggestion, who also offered IV sedation.) I thought IV sedation might be overkill, since I’ve done fillings with nothing besides tylenol before. Anyone have any advice?
Stupid toothache!
In other news, good reading: Miyazaki’s book of essays and interviews, Starting Point, reveals Miyazaki’s thoughts about religion, environmentalism, and female heroes, and includes notes on many of his films. Margaret Atwood’s book of interviews, Waltzing Again, which had some great quotes about teaching poetry and women editing magazines that I thought were very apropos, and she’s so funny and dry. The last book is Reading Real Japanese Fiction, which includes contemporary Japanese stories in both English and a combination of different Japanese alphabets, and a CD with a narrator reading the stories in Japanese. Tough stuff – but the fiction is so great!
Today I got my copy of Poet’s Market 2010 in the mail. I have been faithfully reading this reference book since I was 18 or 19 years old. I remember sneaking down to the basement of my parent’s house and reading and re-reading the descriptions of literary magazines, enjoying the snippets of poetry in each one. I remember sending poems to a mag called “Blue Unicorn” because I was 19 and liked the name. I remember carefully searching the beginning essays and FAQs for secrets, for meaning, that would help me become a “real writer.” I scrawled notes in the margin in blue pencil. I dogeared pages of journals I liked. It helped reveal to me, in conservative, non-bookstore-loving Cincinnati, a real literary world that I knew nothing about.
This is why I feel strangely happy to have written two of those beginning essays for this year’s Poet’s Market. Maybe a 19-year-old who has never heard of “speculative poetry,” who doesn’t know yet what a “poetry chapbook” is, will get inspired. I know you can look up most lit mags on the web now (and this year’s version includes a year’s subscription to online poetry resources as well.) But I still love having the physical object of The Poet’s Market around.
Yesterday I went through National University’s five-hour new faculty orientation. Five hours in highly uncomfortable chairs. It made me thankful my classes have all been online and not in classrooms with flickering fluorescent lights and tiny desks. Again, though I spent lots of time on university campuses since my Dad’s a professor, it still feels weird to be there as a faculty person, not a student.
I’m going to go up to LA tomorrow to a little bookstore called Stories Books to read with two other poets. Hope to see you there!
I’ve promised several blurbs on manuscripts, and trying to write them proves increasingly difficult. How you want to be accurate, give the reader a good idea of what the book is about, not to use too many “advertising” phrases or anything cheesy…it’s challenging!
I’m gearing up for a reading in LA this Friday, at the Stories Books in what I think is downtown, with another writer or two. If you’re going to be in LA, I’d love to see you! This is probably one of my last readings in Southern California…
Still seeking affordable yet cute place to live in Napa Valley area. We are planning a trip up there to look at possible places to live. We’ll never be able to afford to buy a home there, even a condo, but I think it will be be a nice place to rent for a year or two. I miss bookstores, coffee shops, and not being the only non-blonde in a room…
I want to congratulate a friend and poet whose MS I’ve had the honor to work with, Jeff Walt, on winning the Gertrude Press chapbook contest for Vows. Jeff is an amazing poet and I’ve been lucky to read his work on and off for the past few years and I keep telling him, “It’s fantastic!” You have to buy his chapbook to see what I mean.
In odd news, see this camp for women who want to become “Alias”-style spies. The knife-fighting class sounds interesting; the “sexy dance” class just sounds funny.
There’s been a lot of “dust up” in the blogging world lately. Most of it just makes me feel depressed. There’s nothing worse than thinking about the financial and political aspects of MFAs. I hate worrying about money and prestige and fame and the poetry point system. I’m still a naive idealist in that respect, I’m afraid.
In good-things-coming-from bad, though, I’m excited that Cate Marvin and Erin Belieu, motivated by frustration towards opportunties for women in the literary community (cough, AWP, cough) are starting their own women’s lit conference.
I think we’re leaning towards Napa as our next place of living. Bonus? It’s 14 percent cheaper than Carlsbad, according to some cost-of-living calculators.

Jeannine Hall Gailey served as the second Poet Laureate of Redmond, Washington and the author of Becoming the Villainess, She Returns to the Floating World, Unexplained Fevers, The Robot Scientist’s Daughter, and winner of the Moon City Press Book Prize and SFPA’s Elgin Award, Field Guide to the End of the World. Her latest, Flare, Corona from BOA Editions, was a finalist for the Washington State Book Award. She’s also the author of PR for Poets, a Guidebook to Publicity and Marketing. Her work has been featured on NPR’s The Writer’s Almanac, Verse Daily and The Year’s Best Fantasy and Horror. Her poems have appeared in The American Poetry Review, Poetry, and JAMA.


