Fall Manuscript Class, All is Forgotten, Nothing is Lost, Foetry, Poetry Champions, Poetry Careers
Still a few days left to sign up for my Fall Poetry Manuscript Class (read more about it at this link) so if you’re still looking for a little motivation, a few exercises, a little encouragement and critique, e-mail me at jeannine.gailey@live.com.
Just finished the new novel All is Forgotten, Nothing is Lost, a kind of moral fable about two male poets in an “Iowa Writers Workshop-type” MFA program in the eighties, one of whom has an affair with his “Jorie Graham-type” professor and subsequently is awarded prizes by said professor that lead him to a great career, while his more pure-minded classmates ends up dying in obscurity, despite, perhaps, being the better writer. It’s kind of old-fashioned in that it lacks an ironic take on these proceedings, and, I think, ascribes old-fashioned moral suffering to a main character who doesn’t seem to have any morals. It was written by the current director of The Iowa Writers Workshop, and seems to support the “Foetry” view of the Poetry Universe – unless you get a champion early on, preferably by sleeping with someone famous, you are doomed to a life of artistic unrecogniton. Which is, for me, since I’m someone who has never slept with any famous poets, kind of depressing. (Hey, I got married early to a cute guy I still really like! It’s really a sleeping-with-your-professor deterrent.)
It makes you wonder about the way poetry “careers” – teaching jobs, awards, grants, etc – are still made today. Do you think increased scrutiny has lead to less nepotism today? Do you think a young emerging poet needs a older, more famous poetry “champion” to get any notice, and if so, how do we go about getting such a “champion?” (Without, you know, the sleeping with part.) I know the internet is a great equalizer, and I’ve met so many nice poets with great personalities and great writing out there, poets who deserve more recognition…And don’t give me the old saw “Only the writing matters, don’t worry about your poetry career.” Because I don’t believe many writers write who don’t also want to be read, and often, getting those “boosts” – awards, jobs, grants, reviews in the right places – is the difference between getting read and not getting read.
New Interview at Poemeleon and New Horizons
There’s a new interview with me up for the Habitual Poet at Poemeleon here:
Interview with Jeannine Hall Gailey
Had a good visit with my folks, with perfect NorCal weather, vines turning red, lots of wine tasting and touring parks in the sun, going out and looking at the Harvest-est moon. My Dad actually read Reb’s two-part talk about poetry publishing and we talked about the business models of poetry presses. I’ve talked about starting a press for a long time but haven’t quite gotten around to it yet, mostly because of the financial difficulties of it.
Glenn was successful in finding us a new apartment back up in Seattle, kind of out-in-the-countryish – it’s a little cheaper the farther you get from the city, of course – but a nice-looking, newish place. We’re hoping to settle down and buy sometime in the next couple of years; if you follow my blog, you’ll see we’ve moved so much that you might wonder if I have some kind of addiction to the act of moving, but no, we’re just looking for a good place to call home.
I’m reading in San Francisco a week or so before we move at Litquake on October 9, so let me know if you want to get together while I’m in the city!
All News Tuesday
Thanks again for all your help picking out the author photo. The winner was #4. Now you will have to wait to see the final version on the book 🙂
New River’s radio show on Art Internation Radio includes two poems of mine being read by a famous New York theatre actress, Patricia Randell. Here’s what they say:
Our premiere show is Emerging Women Poets: 24 minutes of poetry by Jeannine Hall Gailey, Melissa Range, Darcie Dennigan and Reena Ribalow, read by Patricia Randell, Randell Haynes and Lori Myers. Please check it out by going directly to http://urls.artonair.org/newriver (this show will also be featured on their homepage at www.artonair.org all this week).
My poems are the first ones up, and start around minute one!
Two wonderful new books of poetry just hit the shelves.
Kelli Russell Agodon’s second book, Letters from the Emily Dickinson Room has made its debut. Here’s my blurb, so you know what I think of it:
“Agodon’s book is a bright, funny, touching meditation on loss, love, and the power of words. Her genius is in the interweaving of God and Vodka, bees and bras, astronomy and astrology, quotes from Einstein and Dickinson, a world in which gossip rags in checkout lines and Neruda hum in the writer’s mind with equal intensity.”
Jim Brock’s book, Gods & Money, was just released by WordTech Press.
Here’s my blurb for that book:
“Pop culture, poetry, politics, and religion—all subjects that come under scrutiny in James Brock’s book, Gods & Money. With his tongue-in-cheek humor and observant eye, Brock entrances us with his tales of the melancholy romance of soup, the connecting threads between Walt Whitman and the Florida Everglades.”
Also, Steel Toe Books is open for submissions again, this time for books with religious and/or spiritual themes.
In health news, I got a b12 shot yesterday. I run a little low on b12 sometimes, which I had forgotten about (I’m not a vegan or anything!) and luckily the doc checked for it. I’ve been sleeping ten hours a day lately and moving with the alacrity of a turtle, so hopefully this extra vitamin boost will help power me through the parents’ visit, finding an apartment, doing a reading or two in San Francisco in October, moving, and writing two new book reviews. And trying to write a poem a day, sending out subs, and trying to find work. B12 does give you superpowers, right?
How Do You Find Time To Write?
In service to answering more post-MFA student questions…this one I’ve gotten several times, some variation of “How do you find time to write/submit/read after you get out of the MFA?”
So, in answering this question, I’ll mention that I went to a low-residency MFA while working part-time and/or as a freelance writer, so my practices before, during, and after the MFA didn’t really change all that much. I write a couple of hours each week – and that’s creative writing, not including blog-writing or freelance assignments or reviews. I spend another couple of hours working on book manuscripts, submissions, connecting with other writers, publisher research, etc. But beyond the time spent writing, there are other ways to spend your time I recommend that will help give you the energy and inspiration to create.
I’ve been a big reader since I was a kid, and I haunt bookstores and libraries with as much joy now as I did when I was in fifth grade. I read a lot, probably an average of three books a week and a bunch of journals/magazines/essays/poems. I think that’s important for writers, and not only reading to your own interests and genre, but far outside each as well – your inspiration-catcher will work better if you’re piling in disparate and interesting information. Squeeze a little reading into the every day spaces – waiting for a dentist appointment or at the DMV, in between loads of laundry, in the car while you’re waiting to pick someone up. But going to museums, concerts, readings, hiking a mountain, even watching television – these can all be sources of inspiration for you too. Stay attuned to your personal resonances – and take yourself somewhere inspiring once a week. Note that it doesn’t have to be anything fancy – sometimes a grocery store can be really inspiring. (It worked for Ginsberg!)
Also, I think it’s really important for each person to pay attention to what, for lack of a better word, I’ll call bio-rhythms. You know, when you’re at your most creative or your most sleepy, when you’re better at detail-oriented work and when you tend to daydream. For me, my most creative time has consistently been past 10 PM at night – and, ahem, often until 2 or 3 in the morning. (I’m a night owl for sure.) I want to fall asleep at 4 PM, and in the mornings I’m pretty bleary. So, I save my writing/teaching “business” work – submissions, filling out forms, studying journals, making lists -for the early afternoon. I do errands, which don’t require too much mental acuity, for the 3-5 PM time frame. If I’m teaching, then I like to do grading at night as well (which is probably why I don’t write as much while I’m teaching – I use the same prime “brain space” for both.) So my advice is – make your writing time a priority, keep it at the same time of day, and see how you do. If it doesn’t seem to be working, switch it up – you may be a person who writes best in the early mornings, or during a lunch break you absolutely must jot your ideas down. Find what works best for you, and stick with it.
Having a schedule and following it consistently – this may because I’m a Taurus and we love routine – is really important for me. It might be for you too. Try to follow a “habit” of reading, writing, exploring other art forms, putting your work out there, going to readings, getting together with other writers. The MFA may have provided that structure for you, but you can also re-create it at home. Significant others/children/bosses/family/dogs etc can be trained to understand when and how to leave you alone. I used to have a boss at a company with the initials “MS” that IMed me at midnight or one in the morning, even on weekends. I “trained” him to stop doing that simply by stopping myself from responding to these IMs. My husband notes that when I am writing I cannot hear him call my name or hear the phone ring and do not respond to other stimuli. This is true. I do get a little “zoned out.” But if your loved ones understand and support your decision to be a writer, a little of that won’t hurt the relationship. Hey, this gives your loved ones time and permission to go play Guitar Hero or watch “South Park” or learn to cook a traditional cassoulet or whatever it is they do for fun.
The real point of all this is, create a time and space for you to be creative. Make it a priority and a habit. Don’t stop reading and writing. Don’t stop sending out your work. Don’t stop going to readings, buying books, volunteering for local literary magazines or conferences. Make “being a writer” part of your daily life. I can’t promise wild success, money, or prizes. But at least you’ll be honoring the part of you that wanted to be a writer in the first place.
Not Helpless: Women and Poetry and Numbers Trouble
Once again, there is numbers trouble brewing. Yes, though women far outnumber men as readers of books, women who write their own books are in trouble if they expect an equal number of reviews, awards, etc., as their male counterparts. Who are the serious women writers getting overlooked in favor of the Franzen’s of the world? Will we ever hear about them? Will they fade into obscurity because no one will talk about them, no one will even look at their books on the review pile or prize committee nominations?
I want to point out that we are not just helpless victims in this matter. Some of the most influential critics in the country are women. They’re just choosing to write about men’s books. So what can you do? Speak up! Write in the New York Times Review of Books or The New Republic and ask for equity in book reviews. Write your own book reviews and publish them. Make noise about women writers you love and appreciate, especially those who are up-and-coming. I hope one day there will be more equity, or at least that it will be a consideration, among those doling out the prizes and grants and reviews and other things that can make or break a writer’s career, give them hope, keep them from giving up. Until then, we do what we can.
How Do You Know Where to Send Your Work? Questions About Submissions…
A former MFA student wrote in to ask me advice about how I know which journals to send my poems to. It seems so overwhelming, she said. Well, that’s true for me too! Here’s part of what I wrote back – I hope you guys find it helpful:
What you are experiencing is something every writer experiences! I’m literally going through the same thing doing fall submissions – which journals would be receptive to my work? Which poems should I send to which place? It’s nearly impossible to guess correctly. The best asset I have is that I’ve been sending work out for over ten years, so now I know a few editors who like my work and tend to take it at a higher rate than other places – but mostly, I try to read new journals and send to new places, so I don’t even use my collected wisdom! There are so many journals out there – I use Poet’s Market and mark “likely” markets with little sticky notes – I use Duotrope and see if someone’s open to submissions this week that I haven’t sent to – and I shop around in bookstores and try to get lit mags that I’m not already familiar with. I did lit mag reviews for New Pages for a while, which was a great gig, because I was forced to read and review lit mags I would never have found in whatever corner of the world I was living in at the time. Also, I read lit mag blogs, which can reveal a lot about a journal and its editors – or at least its interns. Ploughshares, Missouri Review, and a bunch of other journals have blogs now, surprisingly. Check Facebook and Twitter too – I got to know my new book publisher by following their Twitter, of all things!
Definitely sign for Duotrope’s Poetry Weekly Wire – I get it and I always find one open market to send to from it, one I might not have thought of on my own.
The other thing to think about is that you want your poetry in a variety of markets – online and print, traditional and experimental, Midwestern, Southern, and East or West Coast – to build up a wider audience. So don’t just worry about prestige – also think of audience size, location, and predilections. Try to be diverse! You might also notice a pattern of certain kinds of magazines liking your work, too. Keep track of where you’re sending and when. I keep a photo album of rejections, in case there are notes or patterns or anything I should be paying attention to. (For instance, do journals in the Northeast like your work better than journals in the South? Do university-based journals or independent journals more consistently publish you?)
The best advice, as the lit mag world is constantly changing editors and formats and everything else, is to keep track of the lit mags you want to be published in in some way – either online, or in a library, or by ordering backcopies or hanging out at something like Minnesota’s Poetry Loft or Seattle’s Hugo House (they keep a huge library of lit mags there.) And, of course, picking them up at a deeply discounted rate (or for free) on the last day of AWP – since you’re going. (PS Tell me all about the hip new journals!)
What other advice do you have? Anything I missed? How do you decide where to send your work?
Who’s a zombie feminist poet? I am!
That’s right! Who won the monster poetry contest? Me, that’s who!
http://wewhoareabouttodie.com/2010/09/02/lizzy-acker-monster-poetry-award-winner-is-jeannine-hall/
Seriously, thanks to Lizzie Acker for choosing my poem, which was brought on by a dream about zombie clone women. Because that’s the kind of dreaming I do all the time. And now I get books from Small Desk Press! And to read with some awesome poets at LitCrawl.