Hello, readers. Sorry I haven’t been here much during July – as I may have mentioned in previous posts, my immune system has completely rebelled on me this month and I’ve spent the whole thing sick as a very sick dog. On the plus side I lost fifteen pounds.
But this has given me some time – when I am not on so many antihistamines and anti-nausea drugs I can’t think – to do other things. Catch up on my gardening – my garden which has finally, after some months scratching at a front patch with not much in it – paid off with a marvelous production of sweet-peas, lavender, roses, lilies, dahlias, fuchsias, and the tiny hummingbirds and bumbling bees that accompany them. Catch up on my reading – several poetry books including Jennifer Whitaker’s The Blue Hour, a lovely collection of fairy tale poems with cover art that I literally almost bought at a gallery because I loved it so much (just lacking the spare several thousand dollars necessary), Victoria Chang’s Barbie Chang, Beth Ann Fennelly’s mini-memoir collection Heating & Cooling (for which I am working on a review). In fiction and non-fiction. Allegra Goodman’s The Chalk Artist, a combination of video game narration and poetry teaching that should have been slightly more fun for me than it was, given the subject matter – and lately, the collection of essays, Double Bind: Women on Ambition, edited by Robin Romm – with pieces from fiction writers and television showrunners, scientists, athletes, and writers from Francine Prose to Roxane Gay.
It’s this book that makes me think about how my body and its various illnesses have influenced and controlled my ambition. I wanted to become a doctor, but as I struggled to stay healthy at nineteen and twenty getting my pre-med degree, a well-meaning professor advised against it, telling me my constitution was simply not a good fit for the rigors of medical school. As a young twenty-something, I worked a lot of hours and made a lot of money in the tech industry – not an indecent amount, but enough – until my immune system failed so hard on me that I ended up almost dying. It was at this point that I went back to my childhood ambition – not to make money in tech, not to be a doctor, but to be a writer. Not just a writer, but a poet. Not practical. Not a money-maker. But it turned out to be something I was fairly passionate about. I spent time every week reading, writing, reviewing, sending out work for publication. I would never have had this dedicated time had I not been forced into failure by my physical body at two other things – I think about that. I had worked full-time in tech while I was getting my MA in English, so I went into an MFA program dedicated to idea of spending time actually writing. Halfway through the program, I had my first book, Becoming the Villainess, accepted for publication. I was serious about this.
In some ways, my ambitions have been thwarted by my system’s unreliability, by its fragility. In other ways, my illnesses forced and shaped my ambition into something that could be practiced outside of an office, outside of regular hours, even while lying in a hospital bed on an IV full of chemicals. I have not become less ambitious as I got older, as I’ve faced more and more health challenges, a lot of them, lately, pretty serious. My brain is full of lesions, the neurologists can’t explain, that are affecting my memory, language and motor skills. My liver is full of tumors, which for the time being we’re waiting and watching and hoping don’t kill me. That’s on top of the hereditary bleeding disorder, the mutations like being born with one kidney, the asthma, the weird allergies, the primary immune deficiency. Yes, it’s a lot. Sometimes it gets to me. I don’t travel as much as I’d like; my days are often planned around how much energy I have, if I’m too sick to get out of bed, if I’m able to manage to leave the house. I’m a social girl who can’t socialize very often, a driven workaholic who has to limit how many hours I do anything in a row, including sit at a computer. It’s often a life that leaves me frustrated, confined.
What is my ambition now? To write as much as I can in the time that I have left. To get those poems out into the world the best way I know how, as fast as I possibly can. Robin Romm quotes Anna Fels in her introduction to Double Bind, that the idea that ambition is “the desire to do good work in the field and have that work recognized by people who understand it.” That seems like a mature idea – not pursuing fame or fortune, but simply the ability to create work I can be proud of, and perhaps – and only perhaps – have some people understand and recognize it. I hope this doesn’t make you like me less, because one of the big things about being female in this culture – something the book explores and that we saw demonstrated in front of us in Hillary Clinton’s demonization as she ran for President, Trump’s fans chanting “bitch” in unison – is we as women are not really allowed to admit that we’re ambitious. It looks selfish, or striving, or whatever the hell else the culture tells us is unacceptable for women. “Be anything you want, honey, be the best you can be – but make sure first you’re selfless and sweet, humble, keep your mouth shut when people treat you like you are less than you are, work hard to be as thin and beautiful as you can be, and never put yourself forward in any way or admit that you’re better than your brothers or male compatriots at math or baseball or whatever, because you don’t want them to feel bad.” Bah. I’m pretty sure my whole generation, and for sure the Millennial girls, can see that the dream of being the Disney-style princess is its own kind of prison, and besides, weren’t the villainesses the interesting characters anyway?
But at this point in my life, I care less than I used to. My drive to write more has resulted in a whole book being created in the last year, a book I’m proud of that’s quite a departure from my previous books – if I lacked this drive, I really don’t know how I would have coped with the bad news, the bad days, the bad medical tests, the dark and dismal prognoses I’ve been given. I am thankful for my ambition. I’ve told this story before on the blog elsewhere, but I remember in California, being plugged into a bunch of machines in the hospital, with double pneumonia and pleurisy and goodness knows what else, on the second day after my admission, choking and unable to breathe, seriously thinking: “I can’t die – I’ve still got three more books that need to be published!” The three books that became Unexplained Fevers, The Robot Scientist’s Daughter, and She Returns to the Floating World, were published in pretty quick succession after that hospitalization When I was told last year that I had six months to live, that the doctors couldn’t do anything, that the doctors were absolutely sure – I just froze and thought – I’d better get on to the business of getting the next book out of me before anything happens, I’d better do all the fun things I can before I can’t any more, and some of those fun things included going to poetry readings and AWP. Our ambitions can literally save our lives, or at least motivate us to live them as meaningfully as we can. My life of the body has been pretty unpredictable – in and out of hospitals and wheelchairs, doctor’s offices, etc – but my writing life remains rewarding and reliable, at least, so far.
So pleased to have some good news to announce – my poem from Field Guide to the End of the World, “The Last Love Poem,” is up on Verse Daily today!
Sylvia wanted to remind you that summer is sometimes a slow season for poetry sales, so pick up a copy of Field Guide to the End of the World now. She’s so commercial, that kitten!
In all seriousness, it’s nice to have good news to share in a month that has been challenging (besides our dental woes, I had a bout of food poisoning/stomach flu a few days ago, which was un-fun.) It’s been beautiful weather here but I’ve been too sick to do much exploring of the lovely beaches, mountains and woods. Luckily I’ve been able to watch the clouds, birds, rabbits, and our little garden around our house, which is blooming, finally, all the things I planted last fall when I was so worried and gloomy, the lavender humming with bees, strawberries and blueberries, roses and mint. Happy July! I’m hoping to get a few poems written, a few submissions, maybe even a book manuscript sent out, before the end of the month…
I’m so glad Contrary Magazine decided to publish this particular poem this week: “April in Middle Age”
It was a good reminder to me about this feeling of falling apart. This is really the first day I could even think straight for the last week. During the July 4 holiday weekend, I managed to knock out part of my tooth and its filling (no pain), got an emergency dental appointment on the 5th, and then spent about six days in so much nerve pain from the temporary crown that it nearly crossed my eyes (apparently the nerve gets irritated, which can cause enormous pain. I was like, why do I try to do anything to my teeth??) Then my poor husband knocked out one of his crowns! We celebrated our 23rd anniversary – instead of picnicking by the waterfalls like we planned – by eating soft foods and with me generally trying not to complain about the pain. I got vertigo from my TMJ (a side-effect of the dental appointment and two sprained jaw injuries in my past) so bad that I nearly passed out taking a walk on Lake Washington. Nevertheless, we saw two sets of little ducklings on the water, and I got dressed up. This is part of getting older – things start falling apart, literally. Here’s a picture of us on our anniversary this year, the ducklings on Lake Washington, and the night we got engaged when I was 20.
Anniversary by Lake Washington
Ducklings!
The night of our engagement – I was 20!
It’s so frustrating when your body slows you down. I was finally able to get some sleep last night after my physical therapist worked on my jaw and recommended a small dose of a muscle relaxer which I had never thought of before (I can’t take many pain drugs, due to the bleeding disorder and allergies.) Therefore my brain is a bit brighter, as is my mood, today. I am still being instructed to take it easy, but I have two packets of poems to look and a review I’m supposed to be working on. Beth Ann Fennelly’s Heating & Cooling, as displayed here by my kitten Sylvia:
I have noticed that my health usually takes a dive in July for whatever reasons – my autoimmune system doesn’t like heat or sun, or just things tend to happen when you have the time to go to doctors and dentists. Anyway, it’s a reminder that this is more of a regular than non-regular occurrence, part of getting older, part of me. I am reminded that summer takes its own toll, though it’s mostly a time for other Northwesterners to frolic outside, I’m usually stuck indoors, avoiding the sun or heat, but also forced into a closer relationship with my books. This is probably a pattern I’ve had since I was a kid in Tennessee, avoiding the midday Southern sun and storms, hiding myself in a tree in the shade or a corner of the house where I would be left alone to read. This is why spring and fall feature so strongly in my poems – and not usually summer.
Well, happy holiday weekend! And how better to celebrate than with a discussions of Apocalypse Poetry!
Trish Hopkinson hosted me on her blog to do a guest post where I talked about the trend towards apocalypse poetry. Books by Dana Levin, Jessie Carty, and Donna Vorreyer are discussed (I got Apocalypse Mix by Jane Satterfield too late to include, but it certainly falls into this category as well, and is a really fun read!) I discuss everything from Cold War angst to neural lesions to the current political climate and Murakami. Check it out!
I’ve started a new Twitter called @literarykittens where my cats Sylvia and Shakespeare pose with literary materials – new books, literary magazines. At some point the cats might even start doing microreviews. Hmm…Here’s Sylvia with the new American Poetry Review and Shakespeare with my new load of books from Open Books – Kirsten Kaschock’s Confessional Sci-Fi, Scorpionica by Karyna McGlynn, and Kim Yideum’s Cheer Up Femme Fatale (with translations by one of my fave writers and translators, Don Mee Choi, as well as Ji Yoon Lee and Johannes Goransson.) I made a less-television-more-reading goal for this summer, and so far, so good!
I also got to meet up with charming President of the Science Fiction Poetry Association, Bryan Thao Worra, at Open Books, where we talked all things sci-fi and poetry. It’s been so nice to get to meet up with literary friends as they travel through lovely summertime Seattle! Then some local scenes – Seattle’s Japanese Garden and some Woodinville scenes of roses and hummingbirds.
Bryan Thao Worra and me at Open Books
Japanese Garden, iris and water lilies
Japanese Garden, iris and water lilies with heron
close-up of bathing blue heron
Glenn and I in the roses
a local hummingbird gets curious
Are any of you experiencing summer poetry doldrums? I always, always have a hard time getting motivated during Seattle’s three summer months. Maybe the sunshine that lasts til almost 10 PM is part of the problem – it throws off my biorhythms so I’m sleeping in and staying up later. I have been reading more and writing at least a little but sending out? I’ve been seriously slacking off. Here is a wonderful list of places to send in July: https://entropymag.org/where-to-submit-june-july-3/ It’s not an endless list, which makes summertime submitting harder, too – so many lit mags take the summer off! What are your tricks and tips? Ooh, if you’re around and not out barbecuing, come share them as the Twitter #poetparty is on tonight at 6 PM!
Jeannine Hall Gailey is a writer with MS who served as the second Poet Laureate of Redmond, Washington and is the author of Becoming the Villainess, She Returns to the Floating World, Unexplained Fevers, The Robot Scientist’s Daughter, winner of the Moon City Press Book Prize, Field Guide to the End of the World, and the upcoming Flare, Corona from BOA Editions. Her work has been featured on NPR’s The Writer’s Almanac, Verse Daily and The Year’s Best Fantasy and Horror. Her poems have appeared in The American Poetry Review, Poetry, and Ploughshares.