I did manage to drag myself – for a mere hour, I could have stayed three times as long – tp the small press fair at Hugo House this weekend, and got to visit editors and publishers of Wave Books, Ashanta Press, Manic D Press (weird, but cool) and journals like Crab Creek and my own Raven Chronicles (my special guest-edited humour issue will have a reading this May! Only two or so years after I put it together! LOL.)
I also ran into my friend N. who gave me a truly amazing present – a book of art postcards called “Drop Dead Cute,” featuring art by contemporary Japanese women artists. The work really helps me think in the mood of my second manuscript – anime-like but twisted – check out some of the artists in the book here (Aya Takano) and here (Chiho Aoshima) I’ve put the “drop dead cute” address book on my birthday wishlist. I wish I could make cool visual art the way I envision poems. Chiho does subway-sized exhibits – soooo very cool.
In other news, if you’d like to read Suzanne Frickshorn’s review of Becoming the Villainess from Diner’s latest issue, click here!

Jeannine Hall Gailey served as the second Poet Laureate of Redmond, Washington and the author of Becoming the Villainess, She Returns to the Floating World, Unexplained Fevers, The Robot Scientist’s Daughter, and winner of the Moon City Press Book Prize and SFPA’s Elgin Award, Field Guide to the End of the World. Her latest, Flare, Corona from BOA Editions, was a finalist for the Washington State Book Award. She’s also the author of PR for Poets, a Guidebook to Publicity and Marketing. Her work has been featured on NPR’s The Writer’s Almanac, Verse Daily and The Year’s Best Fantasy and Horror. Her poems have appeared in The American Poetry Review, Poetry, and JAMA.



Anonymous
Did you throw some water on the Ahsahta to see if she would melt?