Would you like to read more about AWP? Continuing the blog vicariousness:
The Ploughshares Take:
http://pshares.blogspot.com/2008/01/its-fully-operational.html
and SPD’s blog o’ photos (check out cute Jessica Smith! and all the shoes!)
http://www.awplive.blogspot.com/
In Jeannine news, still sad about not getting to AWP, but I’m getting ready to send out some submissions. My MSN horoscope today said if I was a writer, getting published was right around the corner. Got to take the good omens in whatever form they come in, right?
Only one of my two tonsils is swollen up like a grape now, which I take to mean I am getting better, though I woke up coughing and coughing like nobody’s business and I’m still fevery. Whatever this crap is, taking a lot of zinc and C and strong antibiotics and soup and a boatload of random holistic cures has barely been able to contain it. Demons out!
Oh, and Lost was good last night. I heart Hurley!
Since I’m not at AWP, I thought I’d post about other people talking about it instead…
Reginald Shepherd at the Poetry Foundation defends AWP. The comment section discussion is pretty interesting:
http://poetryfoundation.org/harriet/2008/01/awp_communazis_and_me_1.html
I would say I pretty much side with Reginald on this. My experiences (as a semi-outsider: after all, I’m not a publisher or academic – although I was an MFA student for a couple of years) were this:
-The best part of AWP, and the reason I am sad to be missing it this year, is hanging out with like-minded writers – people who you’ve had correspondence with online – meeting in person is so much more fun and it’s always a surprise to find that people’s personalities are different than you might have thought from their blogs or e-mails. Running into former teachers or friends is always fun too, playing catch-up etc.
-It is also a lot of fun to discover new writers through random panels and readings that you might never have heard of otherwise – I always come home with new books that I absolutely adore. This is the good part of not over-scheduling – you never know where you’ll end up or who you’ll end up meeting if you’re kind of easy-going about it. Missing a panel or an evening event can end up being the best thing you do.
-The hard part is the pressure to “network” and the kind of enforced socialization that goes on. I guess this is the same whether it’s AWP or Comdex (yes, I went to Comdex in the past) or the styrofoam cup makers conference – there will always be jerks and weirdos and slimeballs out there, and the phoniness or some kind of need to impress can make people act like they’re at a junior high dance (with more drunkenness.) Some people you’re going to get along with naturally and others, not so much. So my advice is: don’t try too hard, make an effort to be open to meeting others, but if it’s awkward or icky in any way, feel free to go back to the hotel room or go hang out someplace else. Especially for younger girls – hey, if a guy is giving you a creepy vibe, get the hell out of there. Even if he’s an important editor or publisher or someone famous. Maybe even especially if.
But all in all my experiences were that people were very friendly, meeting people in the real world that I had known online was almost always a positive experience, and you know, you can end up having cool coversations with great people you might never have met otherwise. “Famous” writers are often much more approachable and friendly that you might expect. And in general, I never was made to feel unimportant, or like I didn’t belong there, even at my first AWP where I really knew no one and hadn’t really started publishing yet.
So what do you think? Is AWP a corporate evil entity or a welcoming place for writers to meet and talk shop?
On another note, some unusual folk remedies for sore throats that ended up being at least sort of effective:
–pickle juice
–tobasco sauce mixed with hot water and honey (gargle, don’t drink)
–blackcurrant jam and pineapple juice (not together, though)
My husband G woke up really sick today, and last night I was running a 102 fever, so I guess it’s a good thing I didn’t go to New York, since it doesn’t look like I’m on the superfast track to getting better, even with those folk remedies, antibiotics, vitamin C, and zinc. I didn’t want to be one of those people who goes out and makes everyone else get sick later. And also, how much fun do you have when you can’t talk and are all fevery? Not much, that’s the answer. Next time, AWP, how about a nice conference in, say, March or April? Not in the middle of cold and flu season in the coldest part of the US? Hmmmm? I mean, sickly writers are sort of a time-honored cliche – I can’t be the only one with a crappy immune system!
I’m still jealous of all you NY-visiting AWPers visiting MoMa and great restaurants and checking out the bookfair and everything. Have extra fun for me!
Books I’ve read since not going to AWP: Teaching Creative Writing to Middle Schoolers. Rachel Zucker’s Bad Wife Handbook. Tom Hunley’s Teaching Poetry Writing. Girl Meets Boy: The Myth of Iphis (Myths) by Ali Smith. My brain isn’t yet up to reviewing anything, but at least I can focus on a book now enough to actually read. And I rewatched some old Buffy and Daria episodes. Sometimes that’s the best thing you can do when you’re sick.
No AWP NYC for me after all…
Just got a phone call from my doc telling me I have a complicated case of strep throat and have to stay home until I’ve been on antibiotics for at least three days. I was all packed and ready and everything. Hair was cut, special travel sizes were bought, paper printed out and ready. I will miss saying hi to you all and all the fun. Waaaah! I should have known something funny was going on when my throat practically swelled shut. That doesn’t usually happen with a cold.
Anyway, have a great time and tell us all about it! Wishing you good health and a great time. I’m getting ready to call and cancel my AWP registration so maybe one of you can catch the opening after all…
After getting better briefly, my tonsillitis has returned – even worse! Argh! If this keeps up I don’t know if I can go to NYC. If I can’t talk? Yikes!
And, the Redmond Post Office is still losing my mail sent to my PO Box and can’t explain to me why. Just returning it to sender “undeliverable.” This means no rejections or acceptances, or book contest notifications. I just sent out about ten e-mail notes to editors who had accepted poems that I probably haven’t received any contributor copies sent in the last three months, either. Three months! And I paid a hundred dollars to have this PO Box during my move, so I’d be sure to get my mail. Urgh! I don’t know what to do about journals I haven’t heard from. Would you recommend trying to contact them, even if it’s only been three months, because of the liklihood that the SASE they sent me was tossed?
- At January 25, 2008
- By Jeannine Gailey
- In Blog
2
Is it that time already? Where I’ll be at AWP:
Thursday morning, 10:30-11:45 at the Bookfair at the Steel Toe Books table #436
Signing books with Superstar Steel Toe author Mary Biddinger
Friday morning, 9 AM (early!)
Giving a little Pedagogy on the persona poem at the Poetry Pedagogy Forum
After that? A few readings, some fun times, maybe a museum or two…a trip to SoHo…bookstores…let me know if you’re doing anything fun and you think I should be there! Looking forward to meeting you there!
- At January 25, 2008
- By Jeannine Gailey
- In AWP NYC
2
Is it that time already? Where I’ll be at AWP:
Thursday morning, 10:30-11:45 at the Bookfair at the Steel Toe Books table #436
Signing books with Superstar Steel Toe author Mary Biddinger
Friday morning, 9 AM (early!)
Giving a little Pedagogy on the persona poem at the Poetry Pedagogy Forum
After that? A few readings, some fun times, maybe a museum or two…a trip to SoHo…bookstores…let me know if you’re doing anything fun and you think I should be there! Looking forward to meeting you there!
Hey everyone! Thanks for the intriguing discussion in the comments section of my last post. Maybe I’m just too much of a can’t-we-all-just-get-along idealist. As Dorianne Laux said, “Schools are for fish!”
Anyway, I’m neck deep in working on a rush-deadline freelance piece and battling tonsillitis and the below-30 temps (I know, but it’s cold for the Pacific NW!) so instead of making up my own post, I’ll post something from Jilly’s blog, a subject near and dear to my own heart:
“So what’s the deal? Why do the mainstream media hardly ever do articles or reviews about women poets? It is often hard to find ANY article to link to.
Are there more men poets than women poets? (When I got my MFA, the poetry students were mostly women.) Are men poets simply better poets than women poets? More interesting? Better at self-promotion maybe? Do articles in which the subject has a penis make for increased sales or something? Are men poets more likely to get published by a large press? What? Is? The? Deal? Here?”
To comment at her blog, click here! Kelli continues the discussion here.
And, Paul Guest is famous. And not just “poetry” famous. Check it out!
Plus, today, I saw a flock of trumpeter swans. Please post any homemade remedies for tonsillitis in the comments. I cannot take any more antibiotics, seriously, or I’ll turn into a superbug myself.
Why is it good things, like bad things, always come out of the blue? It always makes me feel ill-prepared, in some way. Like I haven’t been paying attention to the signals. But I am grateful. Always.
I don’t understand some of the intolerance I read in books of essays and blogs towards poetry different than one’s own. Poetry does not have to be all one thing or the other. I’ve never, in all the years I’ve spent reading, studying, writing poetry thought to myself: “All other writers should write like me; otherwise, they are bad writers. I know the true way and everyone else is on the outdated/outmoded/too conservative/too experimental path.” Whether you write plain-spoken narrative, curvilinear lyric, Shakespearian sonnets, or some experimental-explosion or surreal prose poem, you are all welcome to the house of poetry. Anyone who labels “the other side” – or even claims there is an “other side” – I just don’t understand it. Why is it not all right to be avant-garde, lyric-narrative, stream-of-consciousness, whatever a person wants to be etc? Why must Ron Silliman paint a big broad box called “School of Quietude” and lump everyone who doesn’t write like he does into it? Why all the snide remarks about the “other?” Donald Hall does it too. “McPoems written by MFA students are bad; therefore, implicitly, I am good.” Fights about schools of poetry – is this a guy thing? Tell me what you think. Because I see it a lot in men’s blogs and men’s essays.
I have a stack of books by my bed, books I love – by writers who write different ways about different subject matters. Some are books from different countries, from people who speak other languages, people with different backgrounds and heritages and ways of speaking. How can embracing the diversity which is the world of letters be bad? Bad for my soul, bad for writing, bad for the brain and body? Yes, there will always be boring, poorly written poetry, or just poetry that doesn’t move or excite you. But how do you know for sure which books these will be, just by looking at the groups of people the author hangs out with, or the publisher, or the way the words are arranged on the page?
I love getting review copies because maybe one book, a book I might not have picked up on my own, by turning to it I will turn a key in my brain and something new will be brought in. Am I the only poet that thinks this way? It’s always a disappointment when you don’t connect with a person’s collection, but on the other hand, what a wonderful suprise when you connect with someone you didn’t expect! What a shame to miss out on a wonderful poet because of some ridiculous prejudice, right?
That is my rant of the day. A rant of open-mindedness, of embrace, of, dare I say it, loving your (poetry) neighbor. That is all. End rant.
I woke up this morning bright and early at 8 AM feeling (Dare I say it?) better! I’m not coughing, I don’t feel like my head is six feet underwater. I felt like singing. Instead, I’m going to be cautiously optimistic and try not to overdo things (I have a tendency to go into overdrive after I’ve been sick to catch up on things, which usually results in getting re-sicked.)
The sun was shining outside (although it’s about 30 outside) and although there’s been no poetry mail lately, I’m feeling cautiously optimistic about that too. I had a dream that I was carrying around four babies in my arms, showing them off to everyone.
Tonight, instead of watching Idol, I’ll be watching the Michigan primary…I’m on a politics kick lately.
Sorry to be neglectful of the blog, but I’ve been Snow White/Sleeping Beauty under the spell of some very strong cough syrup and super-strong antibiotics, both of which make me sleep all day and all night. Very vivid dreams, but I’m so tired during the day I’m not getting anything done – reviewing or e-mailing or even calling people on the phone. I’ve had a nightmarish bout of bronchitis – the kind that hurts when you breathe out or cough – which I think is on its way out, but boy have I been medicated! The docs are always super cautious b/c I have asthma. I was even told I’d have to get another pneumonia shot. I had one about ten years ago, but they said it might have worn off and the new ones are much more effective anyway against more strains of it. So, when I’m done with my current chest thing, it’s off to get flu and pneumonia shots. And maybe my tetanus, which is overdue. Good thing I’m not scared of needles these days.
The reading at Northwind went very well (especially considering the antibiotics/cold meds I was on that day) and the crowd at the Port Townsend reading was bigger than I expected, warmer, more responsive and bought more books. Lots of people came up afterwards to mention poem images they had liked or poems that had inspired them, which was really nice. Ronda Broatch, a good friend, gave another great reading too. I was back in bed by 9 pm – no post-reading partying – but I was glad I went. Yesterday on his way to his art class, my husband was stopped on the street by a gentleman who asked, “Aren’t you the husband of the author of Becoming the Villainess?” Hee. Life in a small town! And Glenn made me a beautiful “light box” in the class.
So, all in all, trying to focus all my energy on getting well. It’s boring, but hopefully it will mean a healthy AWP trip (for once!)
Anyway, drink your orange juice, take your vitamins and keep well!

Jeannine Hall Gailey served as the second Poet Laureate of Redmond, Washington and the author of Becoming the Villainess, She Returns to the Floating World, Unexplained Fevers, The Robot Scientist’s Daughter, and winner of the Moon City Press Book Prize and SFPA’s Elgin Award, Field Guide to the End of the World. Her latest, Flare, Corona from BOA Editions, was a finalist for the Washington State Book Award. She’s also the author of PR for Poets, a Guidebook to Publicity and Marketing. Her work has been featured on NPR’s The Writer’s Almanac, Verse Daily and The Year’s Best Fantasy and Horror. Her poems have appeared in The American Poetry Review, Poetry, and JAMA.


