Finally the wrist is feeling well enough to type a little more, so I’ll write this quick entry:
-I have officially signed on to teaching two weeks of middle school students in March 2008 and one week of high school students in June 2008 at Centrum as part of their Young Artists Program. I’m excited but also a little scared…I’ll be trying to squeeze an introduction to mythology, mythology connections in comic books, and creative writing exercises all into a week. On top of this, Centrum offers the folks who teach in the program an opportunity for a residency there in Port Townsend, which will be nice. My first ever independent, non-school-related residency.
Creating a whole new twisted generation of comic book poetry fans is a fun prospect. I haven’t worked with middle-school aged kids before, should be an interesting challenge (anyone with advice please leave comments!)
-I’ve had a chance to catch up on my reading (what with the tonisllitis and sprained wrist and all – this is the upside of downtime) – some mythology texts, a pretty decent anthology of prose poems, Atwood’s You are Happy. And I got to watch some episodes of Buffy season I, which I call “when Buffy was still fun,” which always makes me happy. Even wrote a couple of poems – three in two weeks, which is pretty good for me. I’m not the poem-a-day type, although I admire the effort others have been making this August.
-The new 41 cent Superhero stamps are out at the Post Office. Elektra and the X-Men make appeareances. I now have two sheets.
A quick reading announcement:
Blogging Poet Oliver de la Paz is reading in Redmond!
Please join us for a great night of poetry and tell all your friends to come too!
Thursday, August 16 at 7 p.m.
SoulFood Books
15748 Redmond Way, Redmond, WA
Oliver de la Paz and Rick Barot read from their newest poetry collections, followed by open mic. Contact book store at 425-881-5309 for directions.
Oliver de la Paz teaches creative writing at Western Washington University. His work has appeared in journals such as Quarterly West, North American Review, and elsewhere. He has received many grants and awards, including a New York Foundation for the Arts fellowship. He is a cofounder of Kundiman, a not-for-profit organization dedicated to mentoring Asian American writers. Oliver’s book of prose and verse, Names Above Houses, was a winner of the 2000 Crab Orchard Award Series and was published by Southern Illinois University Press in 2001. His second book, Furious Lullaby, will be published in September 2007. Oliver has a Web site at www.oliverdelapaz.com.
Rick Barot was born in the Philippines and grew up in the San Francisco Bay Area. His first book, The Darker Fall, won the Kathryn A. Morton Prize in Poetry and was published by Sarabande Books in 2002. His poems and essays have appeared in numerous publications, including New England Review, The New Republic, Poetry, and Virginia Quarterly Review. His work has also appeared in many anthologies, including The New Young American Poets, Asian American Poetry: The Next Generation, and Legitimate Dangers: American Poets of the New Century. He has received fellowships from the National Endowment for the Arts and Stanford University. He lives in Tacoma, Washington and teaches both in the Program for Writers at Warren Wilson College and Pacific Lutheran University. His second book, Want, will be published by Sarabande in early 2008.
- At August 10, 2007
- By Jeannine Gailey
- In be like Colbert, sprain sux
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Blogger Break (or sprain?)
I sprained my right wrist and typing is difficult so a few days of no blogging and slow e-mail responses…sorry kiddos I’ll be back soon! (4 Weeks in splint…)
The rest of the world is in a crazy heat wave, while here is rainy off and on and 65-70…that’s the Pacific Northwest for you!
Been stuck in the house, so I’ve been reading a lot, although not well, because the antibiotics (for the aforementioned tonsillitis) make me groggy (finally read Joseph Campbell, which I’ve been meaning to do forever.) And ordered some books online (Margaret Atwood’s I am Happy, a book on mythology and superheroes for a series of classes I’m doing next year for high school students at Centrum, and another anthology of prose poems that I saw with good reviews on Goodreads.)
Worked on the (gulp) third manuscript. Third! The books are piling up here! And I need to start sending out work, I’ve been terrible this summer.
So who are some cool magazines reading this August? Anyone? Beuller?
Spent the most beautiful weekend in bed with a nasty case of tonsillitis. Urgh! Popsicles, soup, more soup, etc…
Check out the lovely and talented Ivy Alvarez’ First Book Interview (TM) by Kate Greenstreet here!
And, if you have a copy of Margaret Atwood’s book of poems, “You Are Happy,” just taking up space, I’d be happy to buy it or trade for it! It’s hard to find here, but Amazon has some used library discards…
Ye Olde New Poet’s Market Report
I buy Poet’s Market every year, probably out of nostalgia, because I bought my first one when I was 18 or 19, and just pored over it, trying to glean some kind of literary knowledge from the pages. (I was a terrible writer then, but I still really wanted to be a writer.) So I bought the new one, and you know what’s freaking me out? The absence of certain literary magazines from the 2008’s Poet’s Market. Not only Crab Creek Review (which has been running consistently for 20 years) which I work for (troubling, but not impossible to understand – the former CC editors, full of turmoil in the turnover, probably didn’t return some form or something) but Redactions, Sentence? Weird. I kept looking for magazines, magazines that I own, subscribe to, submit to, etc, and not finding them anywhere. What are your favorite magazines that didn’t make it in? How hard does Poet’s Market make it to get listed? Is there a secret blacklist or something I don’t know about? I say, make it into a web form process, people at Writer’s Market inc, and you’d probably get more responses.
On the plus side, thanks to Amanda for listing my name among recently published poets (with some very fine company, I might add) for the entry for The Pebble Lake Review. One of my favorite journals that DID make it in.
And there is a good roundtable on blogging at the beginning of the book, including Jilly Dybka, C. Dale Young, Janet Holmes, and Reb Livingston. How’s that for fun?
Does anyone know where there is a list of book contests/submission dates for second books? If there isn’t one already, I can create one…but I’d love to know if someone already started one…
- At July 31, 2007
- By Jeannine Gailey
- In bloggity biz
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Updating the Blog Roll…
Doesn’t that sound like a delicious muffin or sandwich or something? Blog roll with cheese?
Anyway, check out the new folks on the blog roll like Diane Lockward and Robert Peake and many others…
and if you’d like to be added drop me a note!
- At July 31, 2007
- By Jeannine Gailey
- In Defense of popular culture, I
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Pop Culture: Waste of Time or Populist Embrace of the World? Or, why poets should watch television
I’ve had percolating thoughts about this topic for some time, and with Comic Con in San Diego, and recently re-reading Harold Bloom and AS Byatt’s dismissals of Harry Potter books, I have started to think about why I don’t think of pop culture as “a waste of time.” You’ll notice pop culture plays a large part in the fiction and poetry I enjoy (Haruki Murakami and Denise Duhamel for instance) and in my own work. Popular Culture is an equalizing and freeing subject – just by including it you can make other people feel included in your universe, rather than excluded. I think mythology becomes much less remote and threatening to younger students, for example, when you can tie it into the latest comic book character or video game.To embrace your culture is to not look down on others – you can just hear the disapproving academic snootiness in Bloom and Byatt (whom I love, by the way, don’t get me wrong) when they talk about how Harry Potter is the worst sort of popular tripe, etc. I mean, I can recognize that Rowling’s prose stylings are somewhat less than impressive (repetitive paragraphs, lots of adverbs) but she has a great way with plot, and plot, along with a detailed imaginary universe, is what has driven the popularity of her books. Here’s what is worthwhile about reading the Harry Potter series – you can pick up a conversation almost anywhere with anyone, and they’ll have an opinion, and you’ll have common ground. I feel the same way about television – saying “I don’t watch television” is almost the same as saying: “I don’t want to take part in that human race thing.” (I kid, of course.) Television isn’t neccessarily a good thing, not something everyone HAS to do, but it’s not necessarily a bad thing either, on it’s own. Television is not the devil, although it is true that it contains more than enough terrible, inane, lazy programming. But there are also wonderful images, and characters, and bits of dialogue, that combination of music and image and direction that combine into transcendence (occasionally) that would inspire even the most high-minded. I’m not advocating game shows, but watching a few carefully chosen television shows is not going to pollute you.
I wish I could have attended this Comic Con. Why, you ask? I have been to a few smaller conventions, and it is quite interesting in terms of the characters you might run into, the spectacle, the single-minded devotion of people to their chosen – comic book, genre film, author, whatever. Sure, there’s a carnival-like weirdness to it, but on the whole, it’s a joy-laden celebration of the odd and the imaginative, and how can you not have respect for that? I think of the happiness I felt as a kid when I read Madeleine L’Engle’s Swiftly Tilting Planet, or Anne McCaffery’s Dragonsinger – the longed-for empowerment, the beauty of the alternate realities in which young women in difficult and trying situations could (through hard work and perseverance and creativity and love) and did make a difference. There was hope in these books, even a spiritual aspect which most contemporary literature does not touch. The best Science fiction and fantasy really does offer a lyric frame in which to view our worlds.
In short, popular culture allows for a dialogue across language, class, race and gender. Isn’t that something to be embraced?