Late July Happenings
I had so much to do the last week – we celebrated our 17th anniversary, Glenn turned 40, and of course, still organizing readings and such for my new book, She Returns to the Floating World. (Have you gotten your copy yet? I still have a few copies left if you want a signed copy…) New readings I’m putting together include the Richard Hugo House’s Cheap Wine and Poetry Series this fall and the new Northwest Bookfest in October. Excitement! The fall is filling up!
Remember to check www.versedaily.com tomorrow to see a poem from my new book! (Link to the poem will go live tomorrow…so excited to see which one it is! Thanks Verse Daily guys! – Here it is, “Advice Given to Me Before My Wedding”)
I’m going up to visit the Port Townsend Writers Conference this week as well, culminating in a little reading on Saturday night, the 23rd, at 7:30, with none other than my literary heroine Dorianne Laux. A dream indeed! And I am looking forward to catching up with lots of friends – after all, I used to live up there! (And here’s a list of readings in the local paper the Port Townsend Leader, including mine!)
Hope you’ve been enjoying the Summer Interview series feature on the blog! So far, we’ve featured Roland Kelts on Japanese literature, novelist Helen Phillips, Kelli Russell Agodon, Susan Rich, Diane K. Martin, Marie Gauthier, Collin Kelly on social media, Elizabeth Austen on radio interviews. Let me know in the comments if there’s someone you’d love to see interviewed!
I’m going to the rheumatologist down at UW today so if I have enough energy after, we’re going to go see the new Harry Potter (well, if it’s not sold out…lots of kids in capes around here!) I strongly believe in balancing time spent in doctor’s offices with time spent doing something more pleasant. There is so much to be thankful for, this gloomy rain-cloud-y Seattle morning…I’m thankful for my friends, for my husband, that my ankles and TMJ are slowly improving, that my allergy situation seems more stable…that I’m back in a place where I can visit doctors without worrying about crazy unexpected bills (our insurance didn’t transfer well to California…) and that I’m looking forward, in a hopeful way. I’m hoping for good things for this little new book of mine, for my two as-yet-unpublished manuscripts of poetry, for stable health, for dreams of maybe writing a little creative prose, for more work opportunities if if if the economy improves…
Reading at San Francisco’s LitQuake this Saturday, MFA programs
It’s a few weeks before I move, and I’m doing a final reading or two in San Francisco (part of the LitQuake’s Saturday night LitCrawl) if you want to come see me before I flee back to the rainy Northwest. Here’s where you can find me:
Saturday, October 9
Jeannine Hall Gailey
Litquake’s LitCrawl
Adobe Books with Small Desk Press
3166 16th Street, San Francisco, CA
6 PM free
Saturday, October 9
Jeannine Hall Gailey
Muddy’s Coffee House with Fourteen Hills
Valencia & 24th Street
San Francisco, CA
8:30 PM free
Don’t be late – I think I’m reading first!
There has been a lot of discussion (like this article and commentary at The Rumpus and the scandal over a Columbia MFA program’s adjunct professor’s e-mail and this round-up) about MFA programs – if they’re a scam, if they’re any use, if they can make you a good writer, etc. I do know this: they give you time to practice reading and practice writing with people who probably know a lot about both topics. Unless you have access to the aforementioned writing mentors I discussed in the last blog post, it’s probably worthwhile for you, if you want to become a writer, to go to an MFA program to work with other writers to get better. I don’t think you can pay money to “become a writer” – you probably either have a knack/desire for that or you don’t – and they can’t make a dull writer exciting, but on the other side, I don’t think they make exciting writers dull.
In case you’re interested, here’s a little of my personal history with the MFA: I got a full-residential traditional MA (full of lit crit and competitive workshops and professors who didn’t really hang out with students) before getting my low-residency MFA (which was warm and collegial, and the professors did hang out with students. It didn’t have much in the way of lit crit going on but the students were pretty nice to each other.) I appreciate the experiences I had at both programs, but I was definitely more encouraged and grew more as a writer at the MFA. A lot of people talk about funding, too. My MA was fully funded but my low-res MFA, like most low-res programs, was not. I think the MFA was worth the cost (roughly, my friend Kelli always says, equivalent to a used Camry) even though it means student loan payments. Honestly, I think throwing myself into writing full-time – after ten or eleven years of trying to write while working full-time corporate jobs – was really important to me getting anything published (my first book was accepted in the middle of the MFA program, and I wrote my second book while in the second year.) Taking a risk – even a financial risk – was important. I don’t think I really took writing seriously in my life until that time. So it was worth it for me.
Now I teach a little part-time in an MFA program too, and I work really hard to give worthwhile reading suggestions, help students with their work, even give them publication tips when I can. I do it because I care about the students, because I care about poetry, because believe me, I wouldn’t do it for the paycheck (the average adjunct professor is paid worse than a retail worker – and I know, because I put myself through college working retail.)
So all in all, I think the MFA might help you and it probably won’t hurt you. Unless you go to the wrong one, where they’re all mean and discouraging. Also, despite Seth A’s – and many other’s – advice, funding isn’t everything. Make sure the program you’re going to actually cares about you and your writing. Make sure it’s the kind of environment – competitive or nurturing, academically stringent or more relaxed, Midwestern-reserved or West Coast optimistic – that’s right for you. Try to do some research before you apply, talk to alumni – possibly the best way to get a feel for a program is to talk to a couple of alumni and a faculty member if you can.
Also read The Poetry Lesson by Andrei Codrescu, which was much funnier and more satirical than “All is Forgotten, Nothing is Lost.” It’s more experimental writing as well. I did not feel depressed after reading it, which is always a bonus.
