Kitsune Books special, Fiction Reviews
Go check out the special going on at Kitsune Books (the future publisher of my second book, She Returns to the Floating World) – it’s buy one get one free for the month of August! There’s poetry, essays, fiction…good fun! I’ve already got a couple of books on the way.
I’ve been in a lots-of-reading-but-no-writing kick after finishing a final re-write of “She Returns…” and another revision of my newest MS. Most of the reading has been fiction, and two books I enjoyed particularly were Perfect Reader by Maggie Pouncey, a book about a young magazine writer who returns to her stuffy-academic home town after her father, an eminent poetry critic, passes away and leaves her the literary executor to a book of poetry. This may be criticized as thinly-veiled autobiography, since the author is the daughter of (still living, as far as I know – see comments) Amherst President and novelist Peter Pouncey. The character is amazingly unlikable right up until the end of the book. I don’t dislike books just because their main characters are unlikable, at least not all the time, and I enjoyed what this book had to say about poetry, about small towns, about the academic world (I’m a professor’s daughter myself, so…) and about the complicated relationships between daughters and fathers. In a satifying conclusion, she both lets go of her father and embraces his influence on her life after a tremendous betrayal by someone close to her. I’d say the last fifth of the book was worth the somewhat slow beginning. The other book was How to Buy a Love of Reading by Tanya Egan Gibson, which was 1. misclassified as YA fiction, and 2. had such a mean-spirited Publisher’s Weekly Review that I instantly felt the need to defend it. It’s really a fun book about class and reading, about the relationship between author and audience. Here’s my review from Goodreads:
“A mashup of plots from soaps like “The OC” and “Gossip Girl,” a dash of “Prep,” some satire of writers/postmodern lit and a bit of characterization from F. Scott Fitzgerald, this book was fun to read on a sentence level and the occasional witticisms were worth waiting for. Much better than the Publisher’s Weekly review would have you believe; maybe they were in a bad mood when they read it, because I found it highly entertaining and the baroque swirls of “metaplot” non-irritating.”
This is another book with an unlikable young main character, who turns into a character I really cared about and cheered for by the end. I would have liked more about the struggling female novelist in the book, actually, and less about the spoiled teen characters (I was a “scholarship” kid at a midwestern prep school for most of my youth, so there’s no shock value in describing that world for me) but that’s probably because I’m craving more books about female writers. There are suprisingly few of them (if you don’t count LM Montgomery books.) If you have any you recommend, let me know in the comments. I’m in a literary fiction mood and want more to read!
Cover Art – Rene Lynch’s Secret Life of the Forest "A Different Sleep"
Anniversaries, Cover Art, and Twitter
Today I’m celebrating my 16th wedding anniversary. That just seems crazy – where did the time go? In Napa, the weather is really romantic this time of year – always warm with the smell of jasmine and green things, the hills with vines on them, white egrets flying in the sky and deer and jackrabbits on the trails.
Also, since I became allergic to wheat after 36 years Glenn has been diligently learning new gluten-free recipes left and right. I am thankful he is trained in chemistry and just like that Old Spice commercial guy – baking me a cake in a kitchen he built with his own hands! (Well, we’re renters, but I’m sure he could build a kitchen if he needed to.)
I’ve been thinking hard about cover art and what cover art can and can’t do for a book. Good cover art might make someone pick up a book, might give someone a correct impression of what’s inside, and acts as an adjunct for the writing. I really like Kelli’s cover art, which seems evocative and strange, something that invites rather than subtracts. You want art that invites the reader into the book. Something that communicates the mood without ruining the surprise. Also, how awesome is it to worry about cover art? So much more fun than worrying about rejections. Doing a little happy dance again for the book and for my new publisher. So many things to be thankful for this weekend!
Related to this: I promised a story about how twitter led to me finding a home for my second book. For a long time I resisted twitter. What can you do in 140 characters, I asked. Then, for some reason, I just signed up. I knew Margaret Atwood was up there, twittering away, and Aimee Mann, two artists I respected. I knew publishers – like Kitsune Books, Graywolf Press, among others – had twitter accounts. One of the terrific side-effects of signing up for a twitter account was learning more about a potential publisher and their likes/dislikes – the Kistune Books editors talked about music, querying, and publishing biz – all of which made me like them more and feel that they were a good fit for my work. This led me to the querying, and then the rest is history.
Another reason to sign up for twitter? A suprising number of job leads – people post links to jobs almost every day!
In honor of my publisher and the fox-wife theme of my new book, here is an adorable picture of baby bat-eared foxes for no reason!
Kitsune Books – She Returns to the Floating World
So, since my new publisher just tweeted about it, I guess I can make the news official:
Kitsune Books, a wonderful publisher down in Florida of all kinds of speculative lit, has decided to accept my Japanese-folk-tale-and-anime-themed manuscript, She Returns to the Floating World, for publication (tentative publication date – late 2011!)
I am so excited to be working with them and to have a new book on the horizon! Second book second book second book!!! Thanks to everyone who has read it for me and kept encouraging me along the last few years.
Also, thanks for Valerie Loveland for her kind review of my first book, Becoming the Villainess, here.