A little good news – first book award nom, Northwest Bookfest, poems after readings
- At October 03, 2011
- By Jeannine Gailey
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Yes, after a somewhat discouraging reading yesterday at Northwest Bookfest, I was feeling a little down and tired, but then I found out She Returns to the Floating World is up for its very first award! It’s one of three finalists up for the Florida Publisher’s Association President’s Award for Poetry.
http://www.kitsunebooks.com/assets/11-10-FPA-Newsletter.pdf
I’m very excited, because if I win, I get a sticker. Stickers are really fun!
It was wonderful to see and read with my friends yesterday, who all did a great job, but the crowd seemed a little…muted…and I didn’t sell any books. Which always makes me feel a little depressed. Glenn took a video of the reading but it didn’t turn out. We did avoid the rain, though, and I got to see the beautiful latest issue of Crab Creek Review (2011 Volume 1,) which has two mini-reviews in it that I wrote of Dorianne Laux’s Book of Men and Suzanne Frischkorn’s Girl on a Bridge. Here are some of the editors at work yesterday (pictured: me, Annette Spaulding-Convy, Kelli Russell Agodon.)
So I came home feeling tired (three readings in seven days will really knock you out – or at least, it knocks someone like me out) and a bit discouraged but weirdly, I got into bed and wrote a new poem – the first new poem in a while that I’ve been happy with. Then I found out this crazy FPA award news. We poets have to try to stay zen throughout the whole book launch process, but it’s more of a high/low situation. Sometimes, to use a California metaphor, I only see the smog in the sunset, and other times, I see an egret lifting in the last light.
Next post: I promise not to be so self-absorbed. I’m going to talk about the New Poet’s Market, Mari L’Esperance’s beautiful book, and more!
Update: Oh, and I just found this too – a new review of She Returns to the Floating World is up at Midwest Book Review! Check “The Poetry Shelf!”
Northwest Bookfest, Christine Deavel’s reading, and the funny thing about book sales
- At October 01, 2011
- By Jeannine Gailey
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For those who missed my other two readings, and especially those on the East side of Seattle, here’s your chance! Tomorrow (Sunday) I’ll be reading – along with Kelli Russell Agodon, Elizabeth Austen, and Susan Rich – at Kirkland’s Northwest Bookfest at 2 PM. And after that, I’m not talking in public again for a whole seven days, when I’m doing a presentation on superheroes and poetry at Geek Girl Con…no rest for the wicked. Or the villainess.
Tonight I got a chance to attend Christine Deavel’s reading from her book Woodnote. She had an art exhibit in the background and a piano player accompanying her, and just read her poems – no inter-poem chatter, no introductions. Just another variation on how to perform poetry! And this week will also have a visit by the wonderful Dorianne Laux to Seattle for a reading Wednesday, which should be a lot of fun.
Just wanted to make a quick observation about book sales. So, at most readings, I sell a handful of books – at a really successful reading, it might be ten or fifteen. A funny thing that happens when I read – my Amazon rankings tend to go up afterward…which might mean people are going home, and later buying the book? Or is it just coincidence? And what’s really funny with the second book is, I think my first book is still outselling my second! Weird, right? Anybody else experienced this?
I just watched some scary dinosaur CGI animals try to eat some teenagers on television. That’s good background for practicing poetry, right?
Reading Report from Hugo House, Even More Readings, and Thoughts on Performance
Sorry I didn’t post this earlier – I didn’t get home from last night’s reading (four readers plus open mike – whew!) until 11:30, and then I ate dinner and collapsed. We didn’t get any pics last night (low lighting meant blurry photos and our video was shaky and blurry as well- sorry!) but it was a packed house at Hugo House’s Cheap Wine and Poetry night – about eighty people and extra spilling out into hallways and porch…definitely a reading series worth visiting! The crowd was friendly, slightly tipsy, and raucous. I met and got to chat with lots of great folks. And I sold some books, always a welcome thing.
This reading made me realize I really had been away for a couple of years – this reading series became so vibrant while I was in CA! The Richard Hugo House in Seattle has been undergoing a series of personnel changes, as well, so I’m getting to know new people. I didn’t recognize many people in the audience, either, so I was really grateful for my handful of friends who came. Sometimes I take for granted that I know all the poets in Seattle, but you know what? I don’t! It’s a big town full of folks I’ve never met!
I hadn’t met any of my fellow readers before, though one (Elizabeth Colen) was even a fellow Steel Toe Books author! The three other readers were all interesting, gifted female writers (hence, the “Ladies’ Night” theme event) each with a different style of performance – one quiet and shy reading straight out of her book, another a performance-oriented poet who had everything memorized and mesmerized the crowd in her fishnets. I think I’m somewhere in the middle, though I confessed to someone last night I think I would be a lot more comfortable at readings if I could just put a potted plant in front of my face as I read. I think the combination of vulnerability of reading your own work and the physical performance aspects of trying to be interesting/entertaining to an audience can be really challenging. I like reading but afterward I always feel like I’ve just gone twelve rounds with a boxing robot.
This reading made me think about the choices we make about how to present out poems – how performance can both enhance – and distract from – our poetry. Hearing a poem is so different from reading it on the page, and I try now to be aware of that, to slow down my naturally frenetic speech patterns, to try to make space for applause, a laugh, an offhand comment to connect with an audience. I also thought it was interesting that the other readers had been publishers, reading series hosts, editors, teachers and in other ways were connecting with their communities – something I think is really important! That probably explains the large crowd, come to think of it.
Now I have to get ready for Sunday’s reading at the new Northwest Bookfest in Kirkland, with friends Kelli Russell Agodon, Elizabeth Austen, and Susan Rich. It looks like it’s going to be a great time, I just have to get my energy back up! (Plus I have to catch up on writing work – a job application needs to be turned in, a poetry contest entry (or two) needs to be sent out, poems in general have been languishing from lack of attention! Promoting a new book tends to eat up all the extra time and energy in your life if you let it…I need to be sure to set aside as much writing time as promoting time…) Hope to see you Sunday or sometime soon!
Fiction by Poets, Best of the Net, and more Readings!
The news doesn’t stop! Just like me – go go go!
I’ll be reading this Thursday night at Hugo House in Seattle as part of the “Cheap Wine and Poetry” series, a Ladies Night with some great local writers (including another Steel Toe author…) 7 PM. Be there, baby!
Thanks to Redheaded Stepchild for nominating my poem, “A True Princess Bruises,” for Best of the Net! Awesome! It’s kind of a little spin on the Princess and the Pea fairy tale…and belongs in the fairy-tale-body-image manuscript I’ve been working on, along with my robot scientist’s daughter manuscript…that’s right – two more manuscripts! I keep myself busy, right?
And, my very first piece of fiction, “How Not To Be A Robot Scientist’s Daughter,” is up at Fiction Southeast, along with champions of fiction like Joyce Carol Oates, Aimee Bender and Robert Olen Butler and fellow poet-fictionist Oliver de la Paz!
Reading Report from Open Books

Me with John and Christine of Open Books before the reading…Super-awesome girls at the reading – aren’t they a sexy bunch? (Pictured: Carol Levin, Joannie Stangeland, Lana Ayers, Kathleen Flenniken, Annette Spaulding-Convy, Kelli Russell Agodon, Jeannine Hall Gailey in sequins)
Although I had to navigate a variety of almost-disasters – a windstorm knocked out power to a lot of Seattle, then knocked a gigantic-bed-sized patio umbrella from the top of our apartment building into our parking space three stories below – where we had fortunately not parked our car, by some strange luck – Obama’s visit to Seattle snarled traffic all over town (and he didn’t even stop by Open Books! The shame!) – traffic accidents shut down two of the major highways and bridges, including the bridges that allow us over the water to Seattle – and so, after an hour and ten minutes in traffic for the usually twenty minute drive to Open Books, we finally arrived. A lovely if modest crowd also braved the windstorm and crazed traffic, we started just slightly late, and Glenn even successfully videotaped the whole thing (we’ll post it on YouTube.) I even got some gorgeous flowers a friend had delivered to the store – what a sweetie! – and got to take another friend out for birthday gelato afterward when the sun came out. So, all’s well that ends well.
Open Books continues to be a delightful, friendly place to read. So glad it’s where my first Seattle reading was held! (And you can still stop in and get your copy of She Returns to the Floating World…) Now to crash into bed…
Update: The whole reading is now available on YouTube, so you can see it yourself!

Jeannine Hall Gailey served as the second Poet Laureate of Redmond, Washington and the author of Becoming the Villainess, She Returns to the Floating World, Unexplained Fevers, The Robot Scientist’s Daughter, and winner of the Moon City Press Book Prize and SFPA’s Elgin Award, Field Guide to the End of the World. Her latest, Flare, Corona from BOA Editions, was a finalist for the Washington State Book Award. She’s also the author of PR for Poets, a Guidebook to Publicity and Marketing. Her work has been featured on NPR’s The Writer’s Almanac, Verse Daily and The Year’s Best Fantasy and Horror. Her poems have appeared in The American Poetry Review, Poetry, and JAMA.


