All over the internets!
Hey guys! Kelli Russell Agodon interviewed me today about my research recently on small presses and micropresses for an article in the 2012 Poet’s Market.
Check it out here!
I’m going to miss AWP this year, but Deb Ager from 32 Poems has some great tips for AWP-goers here!
Snow Bees, poems for the weather and some great books I’m reading…
A very seasonally-appropriate Winter 2011 issue of Goblin Fruit is out, featuring my poem “Snow Bees” – you can even hear me reading it!
Incidentally, this is one of the poems that I wrote while collaborating with artist Amy Johnson for her installment art exhibition, which involves snow, wolves, bees, the works. I’ll post info on it as soon as it’s up!
While the doctors are busy trying to figure out why I keep going into anaphylaxis (I’m going to learn to spell that word correctly, for one thing) – food allergies, autoimmune, etc – I’m trying to keep my mind occupied with new reading material. Cate Marvin’s Fragment of the Head of A Queen, Sandra Beasley’s I Am The Jukebox, and issue 8 of Cave Wall, which I’ve seen some people mention lately, and I wanted to discover a new lit mag. I’ve only glanced through all three so far, but I’ve loved what I’ve read of Sandra’s “I Am the Jukebox.” Here’s a little bit from “Another Failed Poem About the Greeks,” which will indicate why I love the book so much:
“His sword dripped blood. His helmet gleamed./ He dragged a Gordon’s head behind him…As first dates go, this was problematic.”
I’m also reading Lizzie Acker’s terrific and strange Monster Party, a hybrid-forms, short-short fiction collection from Small Desk Press, as odd and crazy and interesting as can be. I just finished the story called ‘Baby,’ in which a dying narrator talks to…well, I can’t explain what or who the baby is, but let’s just say, it’s not what you’d guess.
Reality is Overrated
Julianna Baggott has an interesting post at her blog about creative writing programs and “reality” literature. Meaning, most MFA programs strongly encourage their writers not to stretch their imaginations beyond the bounds of “what really happens.” Which I think makes for some very boring fiction. And also, poetry.
My favorite fiction writers are fabulists, magical realists, writers who cavort at the edge of the possible – Haruki Murakami, Kelly Link, and Margaret Atwood, for instance. Geek culture figures heavily in a lot of the books I read – The Brief and Wondrous Life of Oscar Wao might fall into that category, or The Amazing Adventures of Kavalier and Clay. The movies and television shows I watch aren’t reality shows, or even shows that follow realistic plotlines – they often have superheroes, or time travel, or those kinds of elements. Japanese Anime does wonderful futuristic dystopias, if you’re into that kind of thing.
So why the fetishization in fiction and poetry, in MFA programs, of “the real?” Is it from the old adage, “Write what you know?’ (I always say, write whatever you can imagine. Just imagine it with a lot of specific details.)
I often tell my students to get away from writing about their families of origin, their latest breakups, or their backyards. Yes, I know that’s what Sharon Olds and Billy Collins do. Doesn’t mean you have to do that too. There’s too little flair, wild creativity, in most poetry books today. The old great poets – William Blake, Yeats – they had imagination, and it showed up in their work. I encourage them to try new subjects, write in persona, break out of their personal “reality” cages.
Realism is a fine mode, but it’s not the only mode. It wasn’t the mode of Homer, or Ovid, or some of the finest ancient poets. “Poetry is Not Memoir.”
If you want to put superheroes in your poetry, well, that’s a reflection of some part of your “real world,” anyway. Ancient humans created myths to liven up extremely hard and dull lives. It’s up to us to continue that tradition. So yes, write about your zombies, your superheroes, your anime characters and your folk tales. Write your book in reverse narrative as both a ghost-story and a time-travel story like Karyna McGlynn did in “I Have to Go Back to 1994 and Kill a Girl.” What do you have to lose?
Trying Not to Get Discouraged…
Okay, well, 2011 hasn’t quite shaped up to be a banner year so far…birds falling out of the sky, mass fish deaths, and a small girl, a young female congresswoman, and a judge were just shot out of the blue at a public appearance today. Plus I’m still on crutches thanks to my sprained ankle, and unable to eat much due to my food allergies (hello, rice and potato, I’m totally sick of you now!) which the doctors are still in the process of figuring out. By the way, an extreme elimination diet is a great way to lose weight in the new year!
I did send out a submission or two, but generally I’m feeling hesitant to ask for readings for my new book, and feeling somewhat weirdly reticent about sending out poems as well. Maybe it’s general overall life discouragement seeping into my poetry life.
In Seattle we’re experiencing a bizarre cold snap, with highs this week supposedly in the twenties, and snowfall called for on multiple days. I heard Georgia was getting snow too. So add weird weather into the things that seem inauspicious for the beginning of 2011…
Adam Deutsch has been blogging about the phenomenon of big poetry publishers asking for (mostly poor poets) people to fund them. I’ve been writing an article about working with micropresses as an alternative to sending checks of $25 and more to publisher contests where we get very little input back for the money, and we’re lucky to even see a copy of the winning book. Something seems imbalanced in the poetry world. Maybe I should send out a poet fundraiser letter back to these publishers, and tell them that in these hard times, if they want me to continue working as a poet, I’ll need a donation of $25 and up…and if they pledge more than $100, I’ll be happy to send them a copy of my first book! What do you think?
2011: A New Hope
Yes, I am purposefully referencing Star Wars (the original flavor – and best chapter.) A new beginning, a new hope. Isn’t that what we all wish for this time of year? Welcome 2011! Bring us happiness, health, warmth, and all that good stuff!
This morning the sun is shining though ice is still on the ground outside, I am feeling slightly better (she says with cautious optimism!) and my very first piece of creative non-fiction has been published at In Posse Review:
http://inpossereview.com/IPR_Hall_Gailey.htm
I’ve written two new poems (both very nostalgic, what’s that about?) and today is the day I plan to put together some submissions. I planned to do it yesterday, but my computer stubbornly froze and had to be doctored up. I’m afraid my little computer may be on its last legs.
My class starts back up tomorrow, so I’d better be ready for that. I’ve got my brand new Writer’s Calender open and it is reminding me of deadlines…
Jeannine Hall Gailey served as the second Poet Laureate of Redmond, Washington and the author of Becoming the Villainess, She Returns to the Floating World, Unexplained Fevers, The Robot Scientist’s Daughter, and winner of the Moon City Press Book Prize and SFPA’s Elgin Award, Field Guide to the End of the World. Her latest, Flare, Corona from BOA Editions, was a finalist for the Washington State Book Award. She’s also the author of PR for Poets, a Guidebook to Publicity and Marketing. Her work has been featured on NPR’s The Writer’s Almanac, Verse Daily and The Year’s Best Fantasy and Horror. Her poems have appeared in The American Poetry Review, Poetry, and JAMA.
