A necessary addendum to yesterday’s post, in which I may have been a bit cranky (because, I don’t know, I have a broken foot and a sprained hand and live in a multiple-story walkup, perhaps…? And my husband’s company is announcing layoffs and oh, yeah, no pay raises this year at all…)
Because I was disappointed in Jon Stewart’s response to our inaugural poem, I knew Colbert would come through for poets, and now I have even more of a crush on him than ever. And Elizabeth does pretty well too:
Elizabeth Alexander on the Colbert Report
(Thanks to Kelli A. for the link)
Yes, the inauguration was beautiful (especially Aretha’s singing.) I was happy that Obama chose to have a poet read at his inauguration. It was sad to see so many people streaming away as fast as possible as poor Elizabeth Alexander read her poem, and sadder still to hear Jon Stewart poke fun at her last night on the Daily Show saying “I’m no laureate, but shouldn’t poetry rhyme?” Really, Jon? Honestly! Colbert had Pinksy on his show, and you don’t even know what “free verse” is??
But the poem itself lacked…the things that I usually tell new poets make up a good poem. Imagery. Specifics. Sound effects – not just rhyme, but onomatopoeia, alliteration, rhythm – seemed totally lacking in the poem. There wasn’t enough sensory data to stir anything in me, really…it just seemed vague and dull. Is it hard to write an “occasional” poem? Undoubtedly. But I wonder what Rita Dove might have done with the opportunity…or Yusef Komunyakaa…or any number of other poets. (I’ve never seen Rita D. read, but I know Yusef can rock an oral recitation of poetry like nobody else…)A little flair, a little drama, a little verbal gymnastics – might have helped lift the poem a bit, to help people recognize the poem as a poem (without resorting to rhyme.) A little risk might have helped the poem too – it seemed safe to the point of boredom. But what do I know? My husband and mother point out that she probably had to have the poem approved by Obama’s people as well, so that may have influenced the poem as well. I’d hate to have politicos reading my work over my shoulder!
What did you think?
Two little pieces of news:
Robert Brewer interviews me at Poetic Asides here.
Karen Weyant kindly gives me a shout out in her discussion of nuclear anxiety at the Chautauqua Literary Arts blog here.
Thanks for all your well-wishes after the previous post. It turns out I broke two bones in my foot, so I am in a big Robocop-esque leg cast, and then I sprained my wrist using crutches. Soon, at this rate, like Darth Vader, I’ll be more machine than woman 🙂 Still got to visit the San Diego zoo when my parents came to town – thank goodness for ramps and rented wheelchairs!
Happy Martin Luther King Day!
My poem “Advice Given to Me Before My Wedding” is featured today on Rattle’s blog.
In other news, I have a chest cold. Cough cough.
Update: think good thoughts for my friends in Seattle. After ten days of snow and ice, now flooding: see this and this.

Jeannine Hall Gailey served as the second Poet Laureate of Redmond, Washington and the author of Becoming the Villainess, She Returns to the Floating World, Unexplained Fevers, The Robot Scientist’s Daughter, and winner of the Moon City Press Book Prize and SFPA’s Elgin Award, Field Guide to the End of the World. Her latest, Flare, Corona from BOA Editions, was a finalist for the Washington State Book Award. She’s also the author of PR for Poets, a Guidebook to Publicity and Marketing. Her work has been featured on NPR’s The Writer’s Almanac, Verse Daily and The Year’s Best Fantasy and Horror. Her poems have appeared in The American Poetry Review, Poetry, and JAMA.


