Thanks to Kelli for pointing out this wonderful interview with Dorianne Laux, one of my favorite poets, about her new books – and if you look hard, there might even be a mention of me right beside one of my other favorite poets, Denise Duhamel. I’m honored to be in the same paragraph! Thanks Dorianne!
Heading into Ballard for a poetry reading tonight. Had a lovely time yesterday at a holiday gathering of friends, despite a persistent head cold that has rendered any talk of venturing out into the blistering cold (temps in the 30s which is awfully chilly for coastal Washington) deeply uninteresting.
Just a few days left to finish up freelance work and finish Christmas shopping for my family…
Thanks to Allen B. for sending me a link to the New Yorker’s online slide show of Fairy Tale-themed artworks:
http://www.newyorker.com/online/2007/11/05/slideshow_071105_chast
Cool, right?
The Snow Queen broadsides should be available right before Christmas, on the 21st or right after…
I’m almost finished with my review of Margaret Atwood’s The Door. It was a hard one to write because although I’m an ardent fan of almost all of Atwood’s writing, this book just didn’t hit me as hard as most of her others. I did enjoy the attached CD, however. Atwood’s reading voice and style are exactly how you would imagine them.
Then I’ve got to work on a piece about Modern Life and Japanese pop culture. Reading Japanamerica over again and will maybe watch some Ghost in the Shell or FullMetal Alchemist for good measure. When my prose work is done, then I can think about writing (and submitting) poetry again! Got to get those two book manuscripts out into the world.
This week is a whirl of parties and (other people’s) readings, social social social. Got to drag those party clothes out from the back of the closet.
- At December 07, 2007
- By Jeannine Gailey
- In Dragons, snow queens
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In the Mood for Dragons?
I almost bought a shimmery little stuffed dragon in a shop yesterday while Christmas shopping. But I refrained.
Here are two haibun about dragons from Poemeleon’s Prose Poem issue:
http://www.poemeleon.org/table-of-contents2/
They also encourage you to click on the link to their author bookstore. After all, tis the season…
Thanks for all your comments on Michaela’s lovely Snow Queen broadside. I’ll post something here when it’s available – it’s snowy! and evil! but in a holiday-themed way! (PS Not suitable for those who wear Christmas sweaters.)
Michaela Eaves (my book cover’s artist) has created my first ever broadside…
http://corvida.livejournal.com/252559.html#cutid1
Narrative Poetry for the iPod Generation, Comic Book Plots for Poems: or, Is Poetic Narrative Dead?
Ron Silliman’s blog has a long post about how Ron is tolerant of narrative in film but intolerant of it in poetry. I made a short comment about how narrative should still be celebrated, but it could be that the narrative type transforms every generation – so, for the generation growing up right now, texting each other and downloading scenes of television on iPods, reading manga – how will they define narrative? What kind of narrative structure will they need or want? But in the end, people are hungry for communication, for structure and story, for emotional and intellectual connection – perhaps it may look different, but at its heart, that is why we turn to poetry.
I just got finished writing an article about how pop culture may become more dominant for the new generation of poets…because it is the new universal language, because this generation have been taught to be constant consumers of media…for a lot of reasons. I have been thinking about Matthea Harvey’s Modern Life a lot, maybe because it represents a way of talking about serious subjects in pop culture language, avoiding the personal narrative for a surreal type of narrative, making ridiculous leaps and at the same time, keeping the reader emotionally invested.
I don’t believe, myself, that narrative will ever be dead, any more than poetry will ever be dead – it will be continually reborn in new ways, with new voices, in new modes.
Thoughts? Arguments?

Jeannine Hall Gailey served as the second Poet Laureate of Redmond, Washington and the author of Becoming the Villainess, She Returns to the Floating World, Unexplained Fevers, The Robot Scientist’s Daughter, and winner of the Moon City Press Book Prize and SFPA’s Elgin Award, Field Guide to the End of the World. Her latest, Flare, Corona from BOA Editions, was a finalist for the Washington State Book Award. She’s also the author of PR for Poets, a Guidebook to Publicity and Marketing. Her work has been featured on NPR’s The Writer’s Almanac, Verse Daily and The Year’s Best Fantasy and Horror. Her poems have appeared in The American Poetry Review, Poetry, and JAMA.


