A Little something on Ecotone, Feminism and Publishing, and Feminism Being Sexy
I just published a little piece of creative non-fiction…If you’ like to read about how I’m like the X-Men, or Laurel Snyder’s thoughts on circumcision, or Alison Stine’s earrings, check out the new Ecotone Blog…
As if you needed more more proof that feminists are sexy…see this link to a study, courtesy of Annie Finch…
Chicago Review recently ran an article called “Numbers Trouble” by Juliana Spahr and Stephanie Young which discussed gender iniquity in things like anthology showings, awardsm, and poetry jobs, an the Chicago Review editor included a very interesting statistics supplement that showed that many mainstream magazines have gone from publishing 13-17% women to 30-something percent in the last thirty years (see some of the numbers here)…and this caused a bit of a furor on the Poetry Foundation blog.
Here are some excuses I don’t buy: “women don’t submit enough” (see below and an upcoming post from Annie Finch) and “women are too busy with children to write good poetry” or editors who claim “we don’t look at the gender, we just pick the best poetry” (weirdly, often with a white, male, upper-class author – surprising?)
One of the Chicago Review editors, who compiled the journal numbers, says he only gets 35% of his submissions from women, and that may be true of other, typically male-skewered journals as well. After all, if women don’t see women in a journal, they’re probably less likely to submit. (I’m pretty sure Reb Livingston covered this in her blog a few weeks back)
But I have been saying for years that, especially in circles of power, criticism is written by men, and therefore, they get to be the judges of what is “good” and “bad.” Of course, it doesn’t help that the editors in charge (I’m looking at you, New York Times Review of Books) usually really don’t like women or want to advocate women’s writing at all. Women writers need to put their voices out there in essays, reviews, and other ways that allow them to become equal arbiters of taste. And, though I think “women don’t submit” is merely a lame excuse meant to hide gender bias in editing, and at the three magazines I’ve worked as an editor, I’ve had just as many women submit as men, if not more, please, women poets, take this as a sign that you should be blanketing the top mags with your work. And queries about articles. And interviews. And reviews. Do it.
(Addendum…The Chicago Review recently made the article “Numbers Trouble” available online…so read for yourselves!)
Art and Poetry Reviews, and more about the Move…
Yesterday, because soon we will be living over two hours away from the mecca of Seattle arts and culture, Glenn and I snuck out at lunch time to a downtown art gallery called Roq La Rue, which specializes in art they call “pop surrealism,” which, if you think about it, doesn’t only explain the art I like, but is also a good description for the kind of poetry I write (and like.)
The art exhibit was by a Japanese artist named Yumiko Kayukawa, who does these acrylic/oil paintings that kind of look like Japanese candy ads but also illustrations of Japanese fairy tale books or eighties rock album covers. Here was my favorite from the exhibit, called “Zen Candy,” which features a girl, two wolf kits, and some floating pink rice crackers…
http://www.sweetyumiko.com/display.php?collection=20&art=3
but there was an equally cool one of a girl running with a herd of hyenas. I think this artist’s work would look great on the cover of my as-yet-unpublished Japanese-pop-folk-tale book, when it gets published, don’t you? She’s probably out of my price range, though, as her pieces run between two and three thousand dollars. If you want to go see her, her show is only open til tomorrow, November 3rd.
Rachel Dacus’ new chapbook from Small Poetry Press, “Another Circle of Delight,” on a related note, had a dark, nature/religion/science-y tinge, and the two poems I really latched onto were about bones: one, called “Green Heart” about the fossilization of dinasaur bones
(“After sixty-eight million years, the collagen
in your bones might just begin to ossify…
Now she sees that she too
might leave behind a body green at heart
in a hardening world…”
and the other, about an x-ray and a missing bone in the body, “Wish Bone:”
“The absent bone in my spine x-ray
leaves a delicate arch of emptiness,
impied bridge over epidural space.
The gone bone is a bone of wish
that my walk wouldn’t pinch and wobble,
that I wouldn’t know I am incomplete?
How much else was missing at my birth?
…Now the missing piece
just keeps pulling and pulling
and only the words snap.”
Mmm, I just love the words “ossify” and “epidural” in poetry. Don’t these little poem pieces make you want to run out and buy this chapbook?
The Move: the Saga Continues…
Keep having nightmares about the move, which often happens to me around moving time. One involved a serial killer stalking the owners of different houses in my new neighborhood, and another involved shooting a rat. In real life, yesterday the headlines of the small-town paper of the place I’m moving to ran something like “MSRA! Deadly bacteria shuts down local high school” and “Level 3 Sex Offender Moves to Town.” Eek!
I am setting up new utility accounts, boxing up books, cleaning and wiping down furniture, deciding what to pitch and what to keep. Seriously, I should write a women’s magazine feature article called “How To Move – by someone who’s moved every freakin’ six months on average over the past ten years.” Unfortunately, I have not yet learned how to make moving easy and painless. It always seems effort-y and painful. I am going to sell back some stacks of books and magazines I’ve accumulated today. On the plus side, moving does make you clean and organize, and probably has some other benefits too. I do like the town I’m moving too, and the new rent for a modest little ranch house is downright affordable, which is a clear sign from the universe I should continue being a poor poet instead of a practical technical writer, right? Of course, if the universe wants to start throwing monetary poetry prizes and poetry jobs at me, I’ll take those too…
- At October 31, 2007
- By Jeannine Gailey
- In Halloween, pumpkins
1
Yes, it’s that time again…time for us to move…
This time we are looking to rent in a small town about two hours from Seattle that is right on the ocean. It’s a very picturesque, writer-esque place to live. If I start to write about waves and sand, you’ll know why…I am blogging from the upstairs of the local grocery story (which offers high-speed internet – I mean, it’s still the Northwest) sipping a cafe mocha, looking at a very gray ocean and some long branches of pine and madrona trees. On the drive/ferry trip up here, we stopped at a crepe stand (plain lemon and powdered sugar for me, ham and swiss and mushroom for Glenn) and saw bald eagles gliding along the roads. The people I am staying with told me I appeared in their paper a few days ago. I love small towns! Off to scope out some more houses for rent…
(PS the stores here don’t sell women’s shoes with laces. As if lacing your shoes is too much trouble. I find this odd.)
The Crab Creek Review reading went really well, I thought – I’m really proud of all the poetry in there, and think the new issue (the first one the new set of editors had real editorial control of)really illustrates what can be fresh and exciting about Northwest writing – it ain’t all herons and salmon any more! It’s a good time to subscribe if you’ve been thinking about it…
And Aimee and Oliver’s reading at Open Books was packed. Oliver gave his best reading ever, and Aimee made me laugh so hard I cried, which, really, doesn’t happen all that often at poetry readings. We took Aimee to Trophy Cupcakes before the reading (she’s a fan of the cupcake as art form.) Oliver was very gracious, though he did admit to a little bit of girly-overload when Aimee and I started to talk about the glitter stationary they had on sale…at least Glenn was there so they could talk about football or something as an antidote. We also got to meet Oliver’s friend Mary, who works as a fiction editor at Image Magazine.
And, in the “Oh, Snap!” department, a shout out to Paul Guest, who just won the $50K Whiting Award, one of the most prestigious awards a young poet can get. In this interview, Paul is very…Paul…no surprises for those who read his blog, but I bet the interviewer was all like, “Is he being serious?” http://www.ajc.com/living/content/printedition/2007/10/24/poet1024.html
Anyway, congrats!

Jeannine Hall Gailey served as the second Poet Laureate of Redmond, Washington and the author of Becoming the Villainess, She Returns to the Floating World, Unexplained Fevers, The Robot Scientist’s Daughter, and winner of the Moon City Press Book Prize and SFPA’s Elgin Award, Field Guide to the End of the World. Her latest, Flare, Corona from BOA Editions, was a finalist for the Washington State Book Award. She’s also the author of PR for Poets, a Guidebook to Publicity and Marketing. Her work has been featured on NPR’s The Writer’s Almanac, Verse Daily and The Year’s Best Fantasy and Horror. Her poems have appeared in The American Poetry Review, Poetry, and JAMA.


