Does anyone know where there is a list of book contests/submission dates for second books? If there isn’t one already, I can create one…but I’d love to know if someone already started one…
- At July 31, 2007
- By Jeannine Gailey
- In bloggity biz
2
Updating the Blog Roll…
Doesn’t that sound like a delicious muffin or sandwich or something? Blog roll with cheese?
Anyway, check out the new folks on the blog roll like Diane Lockward and Robert Peake and many others…
and if you’d like to be added drop me a note!
- At July 31, 2007
- By Jeannine Gailey
- In Defense of popular culture, I
5
Pop Culture: Waste of Time or Populist Embrace of the World? Or, why poets should watch television
I’ve had percolating thoughts about this topic for some time, and with Comic Con in San Diego, and recently re-reading Harold Bloom and AS Byatt’s dismissals of Harry Potter books, I have started to think about why I don’t think of pop culture as “a waste of time.” You’ll notice pop culture plays a large part in the fiction and poetry I enjoy (Haruki Murakami and Denise Duhamel for instance) and in my own work. Popular Culture is an equalizing and freeing subject – just by including it you can make other people feel included in your universe, rather than excluded. I think mythology becomes much less remote and threatening to younger students, for example, when you can tie it into the latest comic book character or video game.To embrace your culture is to not look down on others – you can just hear the disapproving academic snootiness in Bloom and Byatt (whom I love, by the way, don’t get me wrong) when they talk about how Harry Potter is the worst sort of popular tripe, etc. I mean, I can recognize that Rowling’s prose stylings are somewhat less than impressive (repetitive paragraphs, lots of adverbs) but she has a great way with plot, and plot, along with a detailed imaginary universe, is what has driven the popularity of her books. Here’s what is worthwhile about reading the Harry Potter series – you can pick up a conversation almost anywhere with anyone, and they’ll have an opinion, and you’ll have common ground. I feel the same way about television – saying “I don’t watch television” is almost the same as saying: “I don’t want to take part in that human race thing.” (I kid, of course.) Television isn’t neccessarily a good thing, not something everyone HAS to do, but it’s not necessarily a bad thing either, on it’s own. Television is not the devil, although it is true that it contains more than enough terrible, inane, lazy programming. But there are also wonderful images, and characters, and bits of dialogue, that combination of music and image and direction that combine into transcendence (occasionally) that would inspire even the most high-minded. I’m not advocating game shows, but watching a few carefully chosen television shows is not going to pollute you.
I wish I could have attended this Comic Con. Why, you ask? I have been to a few smaller conventions, and it is quite interesting in terms of the characters you might run into, the spectacle, the single-minded devotion of people to their chosen – comic book, genre film, author, whatever. Sure, there’s a carnival-like weirdness to it, but on the whole, it’s a joy-laden celebration of the odd and the imaginative, and how can you not have respect for that? I think of the happiness I felt as a kid when I read Madeleine L’Engle’s Swiftly Tilting Planet, or Anne McCaffery’s Dragonsinger – the longed-for empowerment, the beauty of the alternate realities in which young women in difficult and trying situations could (through hard work and perseverance and creativity and love) and did make a difference. There was hope in these books, even a spiritual aspect which most contemporary literature does not touch. The best Science fiction and fantasy really does offer a lyric frame in which to view our worlds.
In short, popular culture allows for a dialogue across language, class, race and gender. Isn’t that something to be embraced?
The Summer 2007 issue of Endicott Studio’s Journal of Mythic Arts is up, and this one is geared for the YA crowd; there are poems from “Stardust” author Neil Gaiman and fiction from my Bookslut reading partner, Catherynne M. Valente, and two good essays, one on the “Orphaned Hero” in Harry Potter etc and the other on Why Disney’s The Little Mermaid May Not Be As Feminist as You Think – I mean, if you thought it was, which I never really did, but I did like the singing lobster. And there may be two poems from Becoming the Villainess in there as well…
All right, I have a question for you to perk up our summer writing doldrums:
Which ten books are the books that have inspired the most writing from you? The books you read that you couldn’t wait to put down so you could write afterwards? These aren’t neccessarily your “favorite” books, but the books that have helped you generate the most new work. If you are a poet, they do not have to all be poetry, they can be fiction, non-fiction, etc.
Here are my top ten “inspiration-generating” books so far:
-Louise Gluck’s Meadowlands
-Hayao Kawai’s The Japanese Psyche: Major Motifs in the Fairy Tales of Japan
-Kelly Link’s Stranger Things Happen
-The Armless Maiden: And Other Tales for Childhood’s Survivors, Edited by Terri Windling
-Clarissa Pinkola Estes’ Women Who Run with the Wolves
–Humphries’ translation of Ovid’s Metamorphoses
–Margaret Atwood’s Selected Poems II
–Marina Warner’s From the Beast to the Blonde
-I’m going to cheat and allow film in this list: Hayao Miyazaki’s entire oevre
-HD’s Collected Poems
-My mother’s copy of XJ Kennedy’s Introduction to Poetry, circa1969, including all her notes
I’d love to see your lists!

Jeannine Hall Gailey served as the second Poet Laureate of Redmond, Washington and the author of Becoming the Villainess, She Returns to the Floating World, Unexplained Fevers, The Robot Scientist’s Daughter, and winner of the Moon City Press Book Prize and SFPA’s Elgin Award, Field Guide to the End of the World. Her latest, Flare, Corona from BOA Editions, was a finalist for the Washington State Book Award. She’s also the author of PR for Poets, a Guidebook to Publicity and Marketing. Her work has been featured on NPR’s The Writer’s Almanac, Verse Daily and The Year’s Best Fantasy and Horror. Her poems have appeared in The American Poetry Review, Poetry, and JAMA.


