- At December 06, 2005
- By Jeannine Gailey
- In Blog
2
“And Henry says,
You’re lucky to even know me,
you’re lucky to be alive.
You’re lucky to be drinking here for free
cause I’m a sucker for your lucky pretty eyes…”
Today I am grateful. I am busy, stressed, shipping out Christmas packages, unpacking and repacking for another trip, this time home to Cincinnati, trying to get everything done before I leave. Trying to keep in touch with many friends, and I am lucky to have so many friends. Trying to keep my writing stuff organized, trying to meet school paperwork deadlines, trying to keep up with which poems are where and why and how. Trying to get ready for my reading Thursday night. I am excited about my first book, feeling hopeful about the awkward second manuscript I’ve been working on, feeling grateful that someone is taking a chance on me and Becoming the Villainess. Grateful for a recent acceptance from a journal I really like, Wicked Alice. Grateful I can still love being with my husband of 11+ years after six hours in the car together; grateful that when we went dancing we still remembered how to move our feet, how to head-bang, how to slow-dance. I’m grateful for the fat, black-capped Anna’s Hummingbird still guarding my feeder throw snow and cold rain.
“And he keeps telling me
you, you have time
(but I don’t believe him)”
- At December 01, 2005
- By Jeannine Gailey
- In Blog
0
The indomitable Ivy Alvarez has an interview of me and poet Jill Chan up at http://ahappening.typepad.com/qarrtsiluni/
Thanks Ivy 🙂
Now, I’m off to Whistler, BC to battle the great white north til Monday. Have a great weekend!
- At November 29, 2005
- By Jeannine Gailey
- In Blog
2
Seattle Art Scene News…
Now, as we know, the public (ie, regular people’s) access to great art is usually dependent on some eccentric kajillionaire – his decision to donate say, 15 mil worth of Van Gogh and Monet to a Boston museum, or leaving his or her priceless collection of heirlooms to the Smithsonian. Well, here in Seattle, where the Seattle Art Museum (sadly, describing their art collection as “lame” would be too nice, and only every third year do they even get a special exhibit worth visiting) has long disappointed my art-seeking mania, our own eccentric kajillionaire, Paul Allen, has decided to (probably for a hefty fee) display his tremendous collection of art in the Experience Music Project building – for the story see here http://seattletimes.nwsource.com/html/localnews/2002652590_allenart29.html
Lichtenstein, De Kooning, Monet, Renoir, Picasso, Van Gogh…if you’ve heard of them, he probably has a piece by them. I’m especially excited about the Lichtenstein, I’m a huge fan of his work, which must be seen in person to appreciate. Now, the down side is this very rich guy who charges an arm and a leg to visit EMP, the also-housed-in-the-same-building Science Fiction Museum (yes, a seperate fee for each) will probably also charge an outrageous amount to see his art exhibit. But it’s still cheaper than a visit to San Fran, Boston, or NYC.
The Bellevue Art Museum is also trying to get back on it’s feet. The lofty, centrally-located building has sat empty for many moons now, and back when it did house art (art exhibits included colorful underwear strung across the ceiling, an entire room carpeted on all sides in astroturf, and an exhibit where you laid yourself down on a cube, put on earphones, and watched a video on the ceiling display endless loops of video game heroine Lara Croft being killed) it didn’t exactly bring in the crowds – though I enjoyed it 🙂 I’m hoping they build up a clientele so they can stay in business. The Tacoma Museum of Glass is another fun place to visit, although a bit of a drive from Seattle – their outdoor exhibits (which you can see for free) including a glass-ceilinged bridge containing hundreds of pieces of glass art by Chihuly, and one time, a fountain in which hundreds of red blown glass apples bobbed) often beat the indoors exhibits, except for the working glass shop studio, which is worth your time.
Anyway, visual art is very appealing to me – something I can’t do or make, but that I crave. So, this new infusion is welcome news…just think, with enough $$ you will be able to see Darth Vader’s helmet, Jimi Hendrix’s embroidered suits (he was tiny!) and Gauguin’s painting all in the same visit.
- At November 24, 2005
- By Jeannine Gailey
- In Blog
2
Happy Thanksgiving everyone!
And Rebecca Loudon has once again said it better than I can…
http://radishking.blogspot.com/2005/11/all-watched-over-by-machines-of-loving.html
- At November 21, 2005
- By Jeannine Gailey
- In Blog
0
Its perfect reading weather this time of year, dreary, cold, with short days, and I find myself more and more huddled in my cat-abused chair by the fireplace. I just finished the riveting Here, Bullet, by Brian Turner, which is so accomplished, so clean, and yet moving – I dreamed about being in Iraq after I read it. It just impressed itself into my mind like a brand. And, the wonderful new journal The Fairy Tale Review (www.fairytalereview.com) – I keep reading and re-reading and always find something new. It’s not an academic journal, it’s full of fanciful prose and poetry by the likes of Kim Addonizio, Aimee Bender, Francine Prose…there’s hardly a bad piece in the whole thing, and the journal looks like one of Andrew Lang’s Blue (Red, Crimson, etc) Fairy Books. It’s like I wished something like this to exist and bang, it came into being. Anyway, buy it – $10 is steep for most lit mags, but this one is worth it.

Jeannine Hall Gailey served as the second Poet Laureate of Redmond, Washington and the author of Becoming the Villainess, She Returns to the Floating World, Unexplained Fevers, The Robot Scientist’s Daughter, and winner of the Moon City Press Book Prize and SFPA’s Elgin Award, Field Guide to the End of the World. Her latest, Flare, Corona from BOA Editions, was a finalist for the Washington State Book Award. She’s also the author of PR for Poets, a Guidebook to Publicity and Marketing. Her work has been featured on NPR’s The Writer’s Almanac, Verse Daily and The Year’s Best Fantasy and Horror. Her poems have appeared in The American Poetry Review, Poetry, and JAMA.


