Feeling Discouraged about Poetryworld?
- At August 14, 2013
- By Jeannine Gailey
- In Blog
- 6
I’ve heard from several friends recently who said they felt so discouraged about what I call “poetryworld” that they have given up on poetry for the time being. Sure, the junior-high-like list-making, the awards you don’t get, the residency/fellowship/job rejections, the rejections from literary magazines and publishers, the back-scratching and in-crowd sucking up…sometimes, poetryworld can be a pretty nasty place. I’ll tell you a secret – when I was in my early twenties, I was very idealistic. While I was studying in my MA program, I was so literally repelled by what I saw as the necessary evils of poetryworld that I vowed to leave it behind – and I switched majors and for a few years I didn’t do anything connected to poetry except write it in my spare time and attend an occasional reading.
When I felt ready to return again, I was older and wiser and a bit more hardened, I was determined to do good, to ignore the crap and to create opportunities for people who deserved them and attention for poets who weren’t out for themselves. I’ve volunteered for worthy causes, literary magazines, reviewed books, and tried to generally create a positive atmosphere for the good things in the poetryworld. But I’ll admit, I’m occasionally still prone to the kind of icky feeling my friends have written me about. So what do you do when you’re so discouraged you’re ready to quit? Sure, you have a couple of manuscripts in your drawer, you feel your poetry is as good as you can possibly get it, and you still read new poetry books in the hope you will find something so witty and charming it will take you back to your first, truest love of poetry…but you’re not sure you can take the rest of it.
1. Give yourself a break. Yes, the world won’t shatter if you don’t send anything out for a few months, or you decide to shut off twitter or Facebook earlier than usual. You can avoid reading the industry rags and try not to pay attention to the gossip. In short, stay away from anything that’s toxic to your writing and your outlook for a while. Every job – from journalism to surgery – has its seedy underbelly, because it’s human nature to hobnob and climb and sometimes talk behind other people’s backs and try to push forward people who may not be deserving but whom are owed a favor – and poetryworld is, sadly, no different. I think it’s one of the big things that makes people really disillusioned in academia, too – somehow they thought the world of biological research (or whatever) was pure, but then they find out that it’s not, and it makes them want to quit. Resist quitting forever, but don’t beat yourself up if you want to take a break for a while, until you catch your breath and remember why you got into your field in the first place.
2. Feed yourself inspiration, wherever you can find it. This is a great time to give yourself permission to wander into areas you don’t normally wander into. Go to a science or history museum, visit a glassmaking gallery, try an “arts and crafts” class. Take up reading music or community theater. Really throw yourself at any art form that calls to you, that you’ve felt you weren’t good enough to try, that you were afraid of, that you felt was beyond your depth. If you usually keep only to literary fiction, read mysteries and cultural criticism and science fiction. Go to a wine tasting. Plant a garden for fall.
3. Experiment. I’ve been trying this myself lately, as I’ve gone through some personal hard times related to my health stuff, and just felt like poetry was beyond my grasp. Try writing a personal essay, a microfiction, a short story, an article on cooking…in short, anything you felt you couldn’t do, try it for a while. Don’t worry if you’re not perfect the first time out of the gate. You probably won’t be. But give yourself permission to fail at a new genre, to stretch your writing muscles a bit, to try out plot and flash and lyric and whatever else you have an urge to try.
4. Talk to writer friends who are uplifting. Call up an old friend from your previous “high points” – whether that was your MFA program, a residency, or even back in high school. Talk about why you got into writing in the first place. Try to avoid snarking – I know it’s hard, it is for me too – and focus on giving each other some encouragement. When I have hard times, I immediately and instinctively reach out to people I know will pat me on the back and tell me it’s okay – even if it doesn’t seem that way at the time. Those people are worth spending time and energy on when you’re not feeling discouraged, too.
5. If you’re really ambitious, you can try some old-fashioned do-gooding – that is, making your own positive change to poetryworld as you see it. If you feel, say, women’s (or minority, or…) writing isn’t getting enough attention, shine a light on a favorite female (or minority) writer. If you were discouraged because no one bothered to try to mentor you as a young writer, go out and start mentoring a young writer. (Honestly, working with teens is one of the most inspiring things I do. I never leave a teen workshop or the like without feeling like writing again.) If you feel like making an impact on the poetry world, go write an article on something you feel strongly about and submit it somewhere – Writer’s Chronicle, Poets & Writers, HuffPo. You might actually get your voice heard and change the world.
If you have other tips for people discouraged with poetryworld, please list it in the comments (or e-mail me – it seems sometimes WordPress hasn’t been letting people leave comments, so let me know if that happens…)
Lynn Pedersen
I completely relate. My intention for this year was to focus on meeting new poets in my community, because I really need that personal connection to keep me going. The publishing aspect is too frustrating and time-consuming otherwise. So much has changed in the poetry business in the last few years between technology and the economy–both new opportunities and old ways changing.
Hannah Stephenson
Lovely suggestions and thoughts, Jeannine!
Truthfully, even without reading lists, I am happy for lists (because it arbitrarily brings together folks who are in the same field). And just brings attention to the fact that poetry is THRIVING.
I feel like poetryworld is on the brink of a huge, positive upswing in community (maybe every group in the world is experiencing this, because of internetland). I am heartened by this. More and more, it will be important to support one another (and know that there is room for all kinds of poetry).
For the last couple of years, I’ve been running a local reading series called Paging Columbus. It has been a joy and delight. The more I do this, the more it feeds me–it feels wonderful to be able to showcase writers of all kinds who live close by. I feel proud of Ohio writers!
Going to readings, I often enjoy hearing other people’s voices. Sometimes I feel sick of my own voice (especially when I am editing or feel stuck!). Being quiet sometimes, and choosing not to focus on submissions but on reflection….this can be helpful for me, too.
Stacia
Good stuff, Jeannine. I especially like the tip about trying a new genre. I think there’s a place for anger if it’s a catalyst for change, but too often, people–myself included–tend to vent and move on. Writing reviews, running lit mags, workshopping with fellow writers, all the things you mention and more are ways to build a community, a safe place. And within that safe place, it’s ok to rage sometimes. But if you just hate-tweet on Monday and are back to link-bombing your own stuff on Tuesday, no one has your back, and no one wants to nurture your writing. Thanks for the reminder. 🙂
Molly Spencer
What always inspires me, even when I’m feeling discouraged by po-world stuff, is reading amazing work by new poets or old favorites. I give myself permission to just read and enjoy, and it almost never fails to put the wind back in my sails.
denise calvetti michaels
Human relations are always a challenge….enroll in my class at Cascadia Community College (Human Relatiolns) and know that I continue to learn from my students who grapple and keep on.
Perhaps difficulties include knowing boundaries, who reallly owns words/ideas….and the ability to persist for the long haul.
Jeannine Gailey
Thanks so much for the comments. I feel like this is a lesson I have to keep learning and re-learning. There is no success for any artist without moments of discouragement and disappointment on the way, so how we deal with that really makes the difference.