Genre, genre, genre
I love it when people make weird, unsupportable broad statements – like “contemporary women’s poetry isn’t interesting” (Insert eye-roll by me here – honey, you’re just not reading the right books) or “Genre writing can’t be good.“
Elisa does a great job of talking about genre writing here and I had to pop up and add my two cents.
Genre doesn’t matter. Surprising and interesting writing matters. And I would say, sadly, that tooooo many “realistic” literary fiction books are both uninteresting and not terribly well-written. Plot – dare I say such a dirty word – matters. Characters matter. You can have both. My friend Felicity thinks that “realistic” literary fiction may even be on its way out. I mean, you’ve read “The Amazing Adventures of Kavalier and Clay” and “The Brief and Wondrous Life of Oscar Wao,” right? They’re just edging their way out of the mainstream bit by little bits, and critics are all up there saying “this is great!” Is it any wonder, in our post-apocalyptic-seeming lives, that we want more, well…wonder?
I think I’ve said here before that my favorite fiction writers by and large could be considered “genre” writers. Here’s a list of some of my favorite books of fiction:
Margaret Atwood’s Blind Assassin, Kelly Link’s Stranger Things Happen, Haruki Murakami’s After the Quake and After Dark, Osamu Dazai’s Blue Bamboo, AS Byatt’s Little Black Book of Stories…all of them have something a little genre, a little cross-the-line-into-an-alternate-reality, a little speculative aspect. (AS Byatt’s Possession crosses the line into the Victorian romance/mystery genre, I think.) Some of this has to do with what I read and loved growing up – a lot of Madeleine L’Engle, a lot of Andrew Lang’s fairy books and large tomes of Greek mythology. I liked to program computers – I read some of Asimov’s short stories (my Dad’s books, of course) when I was seven or eight – and I liked to play video games. I may not have been the poster child for “average girl,” perhaps, but I think there were enough girls liked me who would have been more interested in comic books if they’d had any useful female characters, who tried to find in books stories of remarkable girls doing remarkable things. In fact, I think I’m still trying to find books like that.
It occurs to me as I write that this may be why my books of poetry get passed up by mainstream publishers and contests – well, they have references to Japanese anime, obscure folk tales, comic books and computer programming – my poetry gets all marked up with “speculative” and “genre” fingertips.
Gina Barnard
Jeannine,
I agree with your sentiment that she’s probably not reading the right books. What a sweeping generalization for someone to make about women’s poetry. Why even pigeonhole all women, anyway? We don’t all write the same way. I would recommend reading a wonderful book, Four From Japan: Contemporary Poetry & Essays by Women featuring Kiriu Minashita, Kyong-Mi Park, Ryoko Sekiguchi & Takako Arai
These are unique poems translated from the Japanese into English. I don’t remember reading anything like them before.
David V
I don’t know. The Tin House post says genre work “almost purposefully avoids the literary, in hopes of keeping the reader (or the writer, for that matter) from having to “work” too hard.” Your poems are very readable, but they hardly avoid the literary and they show no signs of you avoiding “working too hard”. I kind of always thought it would work the other way, that having a strong, binding theme and unusual narrative would work _for_ you. Of course, that presumes editors are intererested in theme and narrative. You think it may be that characters and persona may be what’s out of favor?
Radish King
I think it’s dangerous for any writer to ever curry favor (not sure that’s the right term but you know what I mean) with publishers or readers. That’s when you lose your spark. It reminds me of Alice Neel who kept painting portraits that fingered the zeitgeist of each decade even after the abstract expressionists moved in and tipped the art world upside down.
And I doubt that you, dear J9, have ever been anywhere near average.
xor
wv: lacti
A lactating cactus?
Elisa Gabbert
Sorry I’m late to the party on this — but yes, that Bookslut article was intolerable!
I also love The Blind Assassin and Murakami, particularly The Wind-Up Bird Chronicle.