Goodreads Semifinalist and It’s About Time
- At November 11, 2013
- By Jeannine Gailey
- In Blog
0
Well, thanks to your votes, Unexplained Fevers made it to the semifinalist round of the Goodreads Best Book of the Year Awards!
First of all, thank you! And second of all, if you get a chance, please vote in this semifinalist round to see if I can make the finals! (Much more competitive! Although I’m happy just to have made it on the same page as Tolkien, Billy Collins, Mary Oliver, et al.)
https://www.goodreads.com/choiceawards/best-poetry-books-2013
Remember, voting for a small press poetry book is like hugging kittens!
On other news, still sick (achoo!) and slowly, slowly adjusting to the Mac (I hate the “transparent” windows that make you not know whether you’re in Word or an e-mail file or what at a time – and I can’t figure out how to compare old files by date (like, say, versions of my book manuscript) without Windows Explorer – Apple’s pretty lame “Finder” does not compare. See? Little things, but things that are totally stopping me from being able to work!) Maybe I should just go the Windows for Mac route?
I’m trying my best to get well, and rest – today’s dry, warmer weather should help (we’ve had forty-ish rain for a week now) because Thursday I’ll be teaching twice – once, by Skype to East Coast college students at noon, and later, at 6 PM at Ballard Library for the It’s About Time series, I’ll be talking all Writer’s Craft-y about persona poetry.
I wish I had the video for you of the Bushwick Bush Club musician’s reading and song pairing, because I read terribly but Matt Price, the musician I was paired with, created a lovely song based on my Robot Scientist Daughter persona poems with a song that began with something like “My dear, you’re a lovely child/but you’re only a robot” and had a great tonal balance between sentiment and hilarity. You’ll see when I post it. There’s brain and heart dissections, rebooting children, and portals in necks. Good times.
And, of course, it is Veteran’s Day, and I’d like to take a moment to thank all who serve – including many of my former National students, my father, both my grandfathers, my nephew, and my older brother.
And if you are a writer struggling with hard times, read Kelli’s post on the importance of supportive writer friends. The only bad thing about friends is that you can’t see them when you’re sick, lest you get them sick, and I’m usually sick most of the winter! I need a robot self!
In Between Worlds
- At November 08, 2013
- By Jeannine Gailey
- In Blog
2
For the last few days I have been without a voice and without a working computer, which I found makes me feel very itchy as a writer – I’ve grown so accustomed to writing in multiple files at once on a computer, to answering e-mails or doing research or making submissions during my downtime, and then, when I don’t have my computer, I can usually at least talk to friends and family on the phone. But with a sudden onset of tonsillitis, bronchitis, and laryngitis – I hardly ever lose my voice, and I didn’t even notice I was getting sick, just thinking I was having the usual fall allergies – and my old laptop, a Lenovo, dying, and the new computer I ordered to replace it starting to fall apart within 24 hours of ordering it, I have been at a loss. I feel lost, between worlds, especially with a fever that makes me feel alternately way too hot and freezing cold, the dreary cold rain and mist outside gripping my chest.
So my husband, seeing my frustration and knowing I’d been told by the doctor to stick to bed rest, went out to the mall and picked up a shiny new MacBook for me to try, probably too expensive for me to afford on my poetry salary alone, seeing me so frustrated (and having the fourth PC failure in four years.) Note that I haven’t worked on a Mac since I was 19 years old, so this will be interesting but I think it’s probably the right move. And probably, the laptop and PC as we have known it is probably on its way to obsolescence, soon to be placed by, goodness knows, smartwatches and smartphones and smartpets. Something device-y and tiny for a generation used to texting with its thumbs.
I like my routines – don’t know if that is a Taurus thing or a writer thing – and it wrecks my creative energy to have to adjust, to spend all my time and energy trying out a new system. But I think in this case it’s important to adapt, because I’ve noticed that for things like grant and job and conference applications, we writers are now required not just to write and provide samples of our writing in Word format, but to edit videos of ourselves, produce mp3s of our readings, produce photos for different media. Yikes! No PC software I’ve found has been really great at any of those things, and Mac is supposed to have great and easy-to-use software for all those kinds of things. My artist and graphic designer friends have been using Mac forever, and so, maybe I have just accepted the inevitable – that poets must now be jacks of all trades, or at least knowledgeable in multimedia. And these Apple computers have always struck me as a bit elitist – so much more expensive than any laptop I’ve bought in the last five years – but I guess if they last longer than two years, they will earn out their higher cost. Anyway, next time I post, it’ll be from a new Apple! There’s something I’m probably missing here about voice and delivery system, about the connections between human and machine, between the writer and the representation of the writer, between spoken voice and written word. But who knows whether this computer will stay live long enough for me to write about that stuff? It’s on its last legs, after all.
I’m supposed to be reading tomorrow night at the wonderful collaboration between the Jack Straw Writers and the Bushwick Book Club, where talented musician Matt Price will be putting a musical spin on my poem “The Robot Scientist’s Daughter [in films]” I’m just hoping I have enough of a voice to read the poem in question loud enough for the crowd to hear it!
All Around Social Media – Goodreads and Reddit
- At November 05, 2013
- By Jeannine Gailey
- In Blog
0
It’s that time again, when I ask you to help me with a grassroots effort to get Unexplained Fevers on the main page of the poetry voting at Goodreads! It’s Opening Round right now, so once you click the link, you have to sign in first, then find the “write in vote” at the bottom of the page and type in “Unexplained Fevers” and then my book should be a choice from the drop-down box. Thanks so much for any votes! Small press books have a hard time getting publicity, and I’m up against big poets like Billy Collins and Mary Oliver, so every little bit helps!
https://www.goodreads.com/choiceawards/best-poetry-books-2013
The second is today’s AMA on Reddit, where I’m still not completely sure what I’m doing (which you can probably tell from my answer’s lack of formatting) but I’ll be happy to answer your questions all day today. A lovely and thriving poetry community there: http://www.reddit.com/r/Poetry/comments/1pi1z5/jeannine_hall_gailey_poet_laureate_of_redmond_wa/
Three Things I’ve Learned From Being a Jack Straw Writer
- At October 27, 2013
- By Jeannine Gailey
- In Blog
0
Today I roused myself out of bed with a sore throat, cough, and runny nose (I know, a glamorous picture!) to go to Seattle’s U District for voice coaching at Jack Straw, a great part of the experience of being a 2013 Jack Straw Writer. Along with the end of my tenure as Redmond’s Poet Laureate, I’m also coming to the end of my time as a Jack Straw Writer (by the way, applications are due soon, check it out! Even if you’re in Portland or environs! It’s worth the drive.)
In case you’re wondering, Jack Straw is this cool Seattle non-profit whose secret mission is to help artists of all types perform more effectively – coaching us for radio interviews and readings is just part of their work. And I thought I would share some of the best lessons I learned from my time.
1. Even if you think you’re a pretty good reader, there’s always something to learn. Live readings in a crowd – totally different than reading for radio, for instance – you can’t communicate via hand motion or face expression, so you really have to put more into your voice inflections, careful to enunciate or inject humor into a pause. And there’s nothing as humbling as listening to your own work recorded in your own voice in a professional studio to make you think about what you can improve.
2. Being in a group of writers who have nothing in common but wanting to support each other can be pretty powerful. I think this is part of the Jack Straw Writer magic, that you get together with writers of various ages, genres, levels of experience, schools of writing – writers you might never have met other than being “Jack Straw writers” together, and try to help and encourage each other. I certainly learned a lot from the other writers and their work. To be honest, I would probably have benefited more from this aspect if I’d been less busy with Poet Laureate stuff, but even the limited number of times I was able to hang out with my group, there was I think a spirit of generosity and goodwill that sometimes you can forget exists in the somewhat competitive and snarky world of writers (witness the latest ‘kill list’ unpleasantness or, you know, hang out at the bar at AWP).
3. Part of the job of any artist is to be able to take their work public. Dancers, visual artists, writers – we’re not always great about talking to an audience about our inspirations, our reasons and motives and visions of creation. We all have, of course, motives that might be hidden even from ourselves – but it’s part of our job to be able to communicate reasonably well the reasons we create, our goals for the creation, and maybe something that inspires the audience too, if we can. Part of this is performance – putting our work in front of different audiences and learning how to become comfortable with say, radio interview questions. Part of it is learning to articulate our real reasons for creating, which might be more difficult and probably, let’s face it, maybe more interesting to an audience that the creations themselves. If you’re serious about your art, you should put some time and effort into communicating with others about it.
A bonus? Today I got to get a sneak peek at fellow Jack Straw Writer Judith Skillman’s book, Broken Lines: The Art and Craft of Poetry, with chapters on handy things like writer’s block, putting together a poetry manuscript, collaborating with other artists, and maintaining motivation. There aren’t enough practical guides like this out there for poets, so I encourage you to get your own copy here! Broken Lines – The Art & Craft of Poetry
Hobble Creek Review, Geek Girl Aftermath, and Thoughts on Launching A Book
- At October 21, 2013
- By Jeannine Gailey
- In Blog
0
First of all, let me thank Collin Kelly and Justin Evans, because this latest, pop-culture-focused issue of Hobble Creek Review – in which my poem “Teen Girl Vampires” appears – is a great one. There’s a lot of sharp humor in the issue, and it’s just plain enjoyable.
I’m suffering from a little post Geek-Girl-Con fallout – a bad cough that keeps waking me up at night (the string of cold, foggy days here hasn’t been helping) and a serious need to catch up on sleep before I can catch up on work. I genuinely still get thrilled meeting people excited about Star Wars and Buffy and video games and such. Then yesterday I saw Sarah Michelle Gellar – several years younger than I am – on the cover of “More Magazine” – which used to be reserved for the over-40 set – and realized hey, if she’s on the cover of More, I really am getting older! I can’t party like a 22-year-old anymore! But, on the other hand, if people are looking to Buffy as a model of graceful aging, I guess that’s kind of cool.
I was talking to a friend of mine, who has a book coming out next year, and we were talking about book tours, and I was telling her a little bit about how launching a book is really a never-ending endeavor – I remember for my first book, I really pushed traveling all over to readings, and even the second year, I was still visiting universities across the country (and I told her the book sold better in its second year than its first – probably not uncommon for poetry books, when reviews trickle in after eight months and word of mouth is usually slow burning rather than wildfire-like.) When you’re launching a not-your-first book, you start looking at strategy – like, I might want to visit Florida, because a surprising amount of copies of my books are down there, and I might want to visit old-hometowns, like Cincinnati or Knoxville, because I’m more likely to have a friendly crowd in those areas. I definitely want to send review copies of my book to places that reviewed one of my first three books. Those kinds of things. It doesn’t feel as scary, because you know what you’re getting into, but these days, we have to be savvy about promoting across more kinds of platforms – reddit and tumblr are still new to me, for instance, and think about things like paper versus e-publishing rights when we look at our contracts. It’s really a different kind of thing than it was back in spring of 2006, when poet blogs were still sort of a new phenomenon, Borders was still going strong, and there was really no such thing as reading a book on your mobile phone. What do you guys think is the most important thing for an author publishing a book to think about these days? Put your thoughts in the comments!
Where You Can Find Me Today (Saturday) at Geek Girl Con!
- At October 19, 2013
- By Jeannine Gailey
- In Blog
0
So, this is where to find me at Geek Girl Con this Saturday:
10:30-10:50 Media Signing, next to the UW Bookstore table. I will be very tired, because this is before my “awake” time, but happy to see you nonetheless. (Then, I will go home and nap before…)
Some pics from our morning adventures:
8 PM: Rm 301 for Girl Geek Poetry: Geeks for Poetry, Poetry for Geeks. We’ll talk about the female writers and Barbie, Poison Ivy, River Tam, and scientific phenomenon, and also where and how to publish your own geeky poetry. Panelists include poet, editor and reviewer Kelly Davio and Hello the Future’s Nicole Dieker (um, the program – er, strategy guide – is deeply wrong about the names of the panelists. But these are the actual ones who will be there with me, so trust me on this.)
Geek Girl Con is a wonderful Seattle phenomenon, now in its third year, and I am very happy to be a part of it. Where else in the world can you go and be part of a huge throng of girls (not strippers paid to dress up!) in the costumes of Xena, Katniss, Buffy, and talk about video game strategy, programming, bioethics, fandoms of all sorts, and things like, yes, superhero poetry?
New Review of Unexplained Fevers at Escape Into Life and Geek Girl Con
- At October 17, 2013
- By Jeannine Gailey
- In Blog
0
Thanks to Kathleen Kirk who wrote a really thoughtful review of Unexplained Fevers at Escape into Life here. As always with reviews, I know it takes time and energy away from your own writing, so I really appreciate it! I love the title of the review: “Diagnostic Mysteries!” Sounds like a House episode!
I’m finishing up a presentation on “Geek Girl Poetry” for Geek Girl Con this Saturday (8 PM) – with a media signing with my panelists Kelly Davio and Nicole Dieker at 10 AM, bright and shiny! (I hear Amber Benson, who played Tara in Buffy the Vampire Slayer, and Jane Espenson, one of my fave Hollywood writers, may be around the media signing area in the morning as well, so keep your eyes open.) Going to Geek Girl Con is always fascinating, and I tend to always run into an artist or writer I admire there. I’m hoping I sell some books at the early signing (since it’s actually before our event, which has never happened before…) but the whole experience there is usually really fun. We’re supposed to have dry, sunny weather all weekend, too – almost never happens this late in October, so that’s a bonus.
I’ve been working on a little fiction story and let me say, working on fiction really makes me appreciate how much more work fiction writers have to do to create a decent story compared to a decent poem – just about the time you feel like you’ve got your plot and characters, you have to go back and smooth out transitions, check the language, think about dialogue – it’s a lot! This could be because I haven’t tried writing fiction very often, and so my skills are rusty. It turns out my fiction stories are a lot like my persona poems – same themes, same kinds of voices – just sustained longer, and I have to take them somewhere, like carrying them around in a backpack through a journey. They have to learn and grow, and such, I’ve heard. It turns out all of my characters have mutations and strange illnesses, too, and usually their origins can be traced back to pop culture or fairy tales. Oh my gosh – now I have to worry about trying to publish in two genres? Ha! Well, I won’t worry about that until I’m done with this story, anyway.
October has been was busier than I intended, and now it looks like November is crowding up as well – the final big Jack Straw reading at the Seattle Library on Nov 2nd, then a Bushwick musician/poet pairing on November 9, and I guess I’m giving a craft talk at Ballard Library on November 14! I thought I was supposed to have some time off after the Poet Laureate gig was over!






Jeannine Hall Gailey served as the second Poet Laureate of Redmond, Washington and the author of Becoming the Villainess, She Returns to the Floating World, Unexplained Fevers, The Robot Scientist’s Daughter, and winner of the Moon City Press Book Prize and SFPA’s Elgin Award, Field Guide to the End of the World. Her latest, Flare, Corona from BOA Editions, was a finalist for the Washington State Book Award. She’s also the author of PR for Poets, a Guidebook to Publicity and Marketing. Her work has been featured on NPR’s The Writer’s Almanac, Verse Daily and The Year’s Best Fantasy and Horror. Her poems have appeared in The American Poetry Review, Poetry, and JAMA.


