Poetry Blog Book Tour – Interview with Christine Klocek-Lim
I’m part of a poetry blog book tour called “Back to the Future” that started yesterday with an interview of Wendy Babiak at Joanne Merriam’s blog.
Today I’m interviewing Christine Klocek-Lim. Christine received the 2009 Ellen La Forge Memorial Prize in poetry. She has two chapbooks: “How to Photograph the Heart” (The Lives You Touch Publications) and “The Book of Small Treasures” (Seven Kitchens Press). Her poems have appeared in Nimrod, Diode, Poets and Artists (O&S), Riffing on Strings: Creative Writing Inspired by String Theory and elsewhere. She edits Autumn Sky Poetry, and her website is http://www.novembersky.com/. You can also follow her on Twitter: @chrissiemkl
See the rest of the week:
28 July: Wendy hosts Mary
29 July: Mary hosts Jeannine
30 July: Christine hosts Joanne
New Poet’s Market, Book Trailers, Slush Piles and Paris Review
Received my Poet’s Market 2011 in the mail today, opened it up…and discovered my article on chapbooks had been published in this version! (It also appeared in last year’s.) Surrrrrprise! G out and get a copy. Learn more about why you should do a chapbook. And also a bunch of info on poetry markets.
I’m thinking about book trailers lately as I’m trying to think ahead about the new book. Diane Lockward had a good post today on Book Trailers and Book Promotion. Kelli did a post a while ago on how to make a book trailer with iMovie that you all might find useful. Is it possible to make a cool poetry book trailer? I wish I was better with video software, images, music, and editing. What was I thinking, studying writing when I should have been training to be a video editor?
Two encouraging posts on the slush pile at The Rumpus:
http://therumpus.net/2010/01/for-the-love-of-god-people-the-slush-pile-isnt-dead/
http://therumpus.net/2010/01/a-necessarily-incomplete-but-hopefully-helpful-list-that-proves-the-slush-pile-has-a-pulse/
In other news, apparently The Paris Review accepted a bunch of poets, then un-accepted them. This blog does a good job of discussing the issues. I don’t believe in un-accepting things if possible. As a journalist, I’ve had projects and articles killed – and in my brief time as an Acquisitions Editor at Microsoft Press, I saw book projects killed. As a poet and poetry editor, I would say it’s less common, maybe because there are no kill fees involved?
Discouragement, Nice Rejections, and Persistence
Sometimes reading an old blog post accidentally can be really enlightening. I posted about “nice rejections and the MFA blues” a few years ago, back in 2007.
http://myblog.webbish6.com/2007/02/does-anyone-write-nicer-rejection-slips.html
What’s especially interesting is that the comments were so supportive, mostly from people I’d never met (though I would meet some along the course of life as a writer.) David Barber has since continued to write me very nice rejection slips over the years. I almost look forward to them now!
I also thought it was interesting that Kelli Agodon said she had never sent to the Atlantic, and that was February of 2007. By August of 2007, her poem “How Killer Blue Irises Spread” was published in The Atlantic. John Gallaher mentions his own post-graduate blues; this is right before his second book, The Little Book of Guesses, appeared, to pretty terrific acclaim.
I was also thinking that I didn’t remember being particularly discouraged as a writer after my MFA – but apparently I was, because there is the proof, captured in an old blog post. A cycle of discouragement appears throughout the years on this blog – sometimes I’m excited and busy, like I am right now, consumed with a new project. But sometimes I feel sending out poems and manuscripts is drudgery (not the writing part, but everything that goes with writing.) Sometimes I feel happy with my work, other times not so much, but what’s interesting is the work keeps happening, whether I’m happy with it or not. My writing and submitting habits – which you could follow if you could see my files on the computer – stay remarkably consistent, regardless of what I’m feeling, apparently. Which I think is actually a good thing. Keep sending out your poems and manuscripts. Try sending somewhere you might not believe you’ll get an acceptance from. You just never know.
Cover Art – Rene Lynch’s Secret Life of the Forest "A Different Sleep"
Theme, Tone, Mood: Two Books and gluten-free banana bread
In my first couple weeks of the manuscript class I’ve been running, we’ve talked about the theme, tone, and mood of the manuscripts we’re working on. It made me think about the process of writing “Becoming the Villainess,” which began when I was in my early twenties, and the process of writing “She Returns to the Floating World,” which I started when I was in my early thirties, and how I changed during those years. The tone and mood of the two books changed as well. The first book is funnier and angrier; the second book is a little more melancholy and surreal. Though I use some similar strategies (persona poetry, mythology and pop culture references) “She Returns to the Floating World” is more bluesy, more wistful. The fact that I started writing these poems after I’d been married for ten years meant that some of that content showed up in this book, but didn’t in the first – the strange alienation that can happen between people that know each other really well, the distances between men and women. There is less violence but more of the animal nature. Illusion, transformation, disappearance. Also, you’ll see references to such anime classics as: FLCL/Fooly Cooly, My Neighbor Totoro, Fullmetal Alchemist, Nausicaa of the Valley of the Wind, Jin Roh: The Wolf Brigade, Howl’s Moving Castle and many others!
Did I mention I’ve developed an anaphylaxis reaction to wheat in the last year? I’ve got a lot of French in me, so I’ve been missing my bread and cakes. For our anniversary, we tried out a new gluten-free recipe – banana bread. After a few misses – gluten-free baking can be very touchy – I think we have a hit:
Gluten free banana bread that even people who can eat wheat will like!
2 Eggs
1/2 Cup oil (We used canola.)
2 Tablespoons water
1/2 Cup sugar
2 Tablespoons molasses (for color – the bread stays very light colored without it)
1 and 1/3 cups ripe banana, smashed
3/4 Cup potato starch
2 Tablespoon potato flour
1 Cup brown rice flour
1/2 Cup white rice flour
3 Teaspoons baking powder
1/2 Teaspoon salt
chocolate chips (optional)
Preheat oven to 350 degrees F, and put butter/put cooking spray on a loaf pan.
Beat eggs and sugar until frothy, and then add oil, water and molasses. Add the well-mashed banana and beat until smooth.
In a separate bowl, sift together the two rice flours, potato starch, potato flour, baking powder and salt.
Gently mix the dry ingredients into the banana and egg liquid until just combined (do not over mix).
Spread the batter evenly into the pan, and bake for about 60 minutes, or until middle is firm and the top has turned a golden brown. Let set for 10-15 minutes before serving.
Tastes great grilled and served with ice cream, yogurt, or cream cheese. Also good with coffee and brunch.
Jeannine Hall Gailey served as the second Poet Laureate of Redmond, Washington and the author of Becoming the Villainess, She Returns to the Floating World, Unexplained Fevers, The Robot Scientist’s Daughter, and winner of the Moon City Press Book Prize and SFPA’s Elgin Award, Field Guide to the End of the World. Her latest, Flare, Corona from BOA Editions, was a finalist for the Washington State Book Award. She’s also the author of PR for Poets, a Guidebook to Publicity and Marketing. Her work has been featured on NPR’s The Writer’s Almanac, Verse Daily and The Year’s Best Fantasy and Horror. Her poems have appeared in The American Poetry Review, Poetry, and JAMA.
