Today I got my copy of Poet’s Market 2010 in the mail. I have been faithfully reading this reference book since I was 18 or 19 years old. I remember sneaking down to the basement of my parent’s house and reading and re-reading the descriptions of literary magazines, enjoying the snippets of poetry in each one. I remember sending poems to a mag called “Blue Unicorn” because I was 19 and liked the name. I remember carefully searching the beginning essays and FAQs for secrets, for meaning, that would help me become a “real writer.” I scrawled notes in the margin in blue pencil. I dogeared pages of journals I liked. It helped reveal to me, in conservative, non-bookstore-loving Cincinnati, a real literary world that I knew nothing about.
This is why I feel strangely happy to have written two of those beginning essays for this year’s Poet’s Market. Maybe a 19-year-old who has never heard of “speculative poetry,” who doesn’t know yet what a “poetry chapbook” is, will get inspired. I know you can look up most lit mags on the web now (and this year’s version includes a year’s subscription to online poetry resources as well.) But I still love having the physical object of The Poet’s Market around.
Yesterday I went through National University’s five-hour new faculty orientation. Five hours in highly uncomfortable chairs. It made me thankful my classes have all been online and not in classrooms with flickering fluorescent lights and tiny desks. Again, though I spent lots of time on university campuses since my Dad’s a professor, it still feels weird to be there as a faculty person, not a student.
I’m going to go up to LA tomorrow to a little bookstore called Stories Books to read with two other poets. Hope to see you there!
I’ve promised several blurbs on manuscripts, and trying to write them proves increasingly difficult. How you want to be accurate, give the reader a good idea of what the book is about, not to use too many “advertising” phrases or anything cheesy…it’s challenging!
I’m gearing up for a reading in LA this Friday, at the Stories Books in what I think is downtown, with another writer or two. If you’re going to be in LA, I’d love to see you! This is probably one of my last readings in Southern California…
Still seeking affordable yet cute place to live in Napa Valley area. We are planning a trip up there to look at possible places to live. We’ll never be able to afford to buy a home there, even a condo, but I think it will be be a nice place to rent for a year or two. I miss bookstores, coffee shops, and not being the only non-blonde in a room…
I want to congratulate a friend and poet whose MS I’ve had the honor to work with, Jeff Walt, on winning the Gertrude Press chapbook contest for Vows. Jeff is an amazing poet and I’ve been lucky to read his work on and off for the past few years and I keep telling him, “It’s fantastic!” You have to buy his chapbook to see what I mean.
In odd news, see this camp for women who want to become “Alias”-style spies. The knife-fighting class sounds interesting; the “sexy dance” class just sounds funny.
There’s been a lot of “dust up” in the blogging world lately. Most of it just makes me feel depressed. There’s nothing worse than thinking about the financial and political aspects of MFAs. I hate worrying about money and prestige and fame and the poetry point system. I’m still a naive idealist in that respect, I’m afraid.
In good-things-coming-from bad, though, I’m excited that Cate Marvin and Erin Belieu, motivated by frustration towards opportunties for women in the literary community (cough, AWP, cough) are starting their own women’s lit conference.
I think we’re leaning towards Napa as our next place of living. Bonus? It’s 14 percent cheaper than Carlsbad, according to some cost-of-living calculators.
In the throes of grading a bunch of student chapbooks and book reviews for my “advanced” class. See? We do make them work hard for their grades! Then I will be done with grading for a month or two. And maybe catch up on those book reviews I’m supposed to write…
A note of variable importance: Last night, on So You Think You Can Dance, they did a “Superhero” dance with the last three girl dancers. With costumes. Hilarious good times. (Of course, I’m voting for Jeanine. Name solidarity.)
Also in the throes of trying to decide where to move next. It’s preventing me from sending out poems via snail mail because I don’t know the address I’ll have in two months. I think we won’t stay here, but I’m not sure where to try – Colorado? Napa? Sedona? Colorado is cheapest, but those cold winters scare me. I’m worried Napa (and environs) is too wet (allergic to mold) and expensive (though it’s beautiful.) I’m not great with heat/sun and that makes me nervous about moving to Arizona. See what happens when you really have the freedom to live anywhere? Nothing but angst! If I moved purely based on poetry and culture, it would have to be the north-of-San Fran area, though both Boulder and Sedona do boast some arts-and-culture-y type stuff. Maybe I should throw darts at a map, or flip some coins. I’d like to find someplace we could stay for a few years. Moving all the time can be stressful and costly.
I will miss San Diego’s weather, beaches, and their terrific Zoo and Wildlife Park. (MEERKATS!) And all the nice poets I met! That’s the good thing about moving – you do meet people you don’t expect, and they’re often wonderful.

Jeannine Hall Gailey served as the second Poet Laureate of Redmond, Washington and the author of Becoming the Villainess, She Returns to the Floating World, Unexplained Fevers, The Robot Scientist’s Daughter, and winner of the Moon City Press Book Prize and SFPA’s Elgin Award, Field Guide to the End of the World. Her latest, Flare, Corona from BOA Editions, was a finalist for the Washington State Book Award. She’s also the author of PR for Poets, a Guidebook to Publicity and Marketing. Her work has been featured on NPR’s The Writer’s Almanac, Verse Daily and The Year’s Best Fantasy and Horror. Her poems have appeared in The American Poetry Review, Poetry, and JAMA.


