I had a quiet birthday this year, which was good, because I was a little under the weather this last week. I did get to go out a bit and enjoy the beautiful sunshine and flowers, and Glenn made the day as special as possible, getting me a beautiful art print and a ton of sparkly candles. (Josie Morway is an artist to check out – that’s her fox below.) A visit to the DeLille winery and the Japanese Garden (as well as Open Books to pick up some birthday poetry books) made for a really nice low-key celebration.
Canopy of cherry blossoms
Glenn and I with azaleas
Me among flowers at the DeLille Winery
Fox art by Josie Morway, red panda from Knoxville zoo, sparkly candles, more.
Like most people, birthdays are always a good time to take stock of where you are and where you want to go in the year ahead. I am grateful to still be alive. I am still learning to manage my MS, and doing the complicated paperwork in order to start a new MS medication, trying to learn to rest when my symptoms act up. I’m a little nervous because my flares have happened the last two years during the summer. So I’m trying to up my self-care this year – avoiding heat and sun when possible, bought an extra air purifier in case of fires again this year, trying to learn to meditate and rest and hydrate as soon as you have any sign of flares instead of pushing through (which seems to lead to the whole hospitalization thing.) So that’s one goal: improving my own self-care around MS.
I’m also wondering what I want to do next in terms of career. I’ve been (slowly) shopping two manuscripts around, one about being diagnosed with cancer, then MS, during a time of unusual solar activity, and another about politics, witches, resistance, and monsters. They’re very different books, so I’m targeting different presses for them.
Thinking about Salons and Writing Groups
I’m thinking about trying to start a series of get-togethers at my house, since it’s become more difficult to get out and about but I’m still an extrovert who gets inspired by spending time with other creative people. My house is pretty good for entertaining, and Glenn is good at making snacks. Should I try to create a new writers feedback group, like the one I was in for thirteen plus years, or try salons, with a bunch of different kind of artists? I’ve been finishing up a series of Virginia Woolf letters, and I’m inspired by the way, though she was limited in the amount she went out or went to London, she brought a circle of artists around her houses, not always together at the same time, but encouraged them, published them, provided tea and conversation. She really did get inspired and enjoy helping others.
I was thinking about ways to help others and maybe start working again, a little bit, from home. But what? Technical writing or marketing writing? Offering manuscript consults again? Or perhaps some coaching for doing basic PR for poets with new books? When I’m feeling good, I’m pretty effective, but I do have these “slips” in time that happen when I’m sick, so I need something that’s flexible.
Women Writing Despite…
In fact, many of the “major” women writers that we read, including Flannery O’Conner, Virginia Woolf, Sylvia Plath, Lucille Clifton, Jane Austen, Emily Dickinson, Elizabeth Bishop, and Charlotte Bronte, all had limits on their health – physical and mental illnesses, constraints on their time and energy. They still managed to produce a ton of work, not just published books, but tons of journals and letters that I find fascinating and great research for women writers – how they succeed, how they struggled, how they maintained friendships and family demands. (Frida Kahlo is kind of the patron-saint of sick women creatives, too. Not only is her art getting more attention these days, but I read that her garden was recently restored – how I would love to see that!)
I think one reason I’ve been attracted to researching the lives of these writers is that they succeeded despite. Despite family opposition, money problems, health problems, during a literary time that was – shall we say – unfriendly to women’s voices. How they guarded their writing time, and struggled with “doing it all” – a woman’s problem for centuries, not just now, the expectations that women will be supportive of their family’s needs, domestic work, taking care of spouses or family members, plus write and spend time and cultivate connections with other creative people. So what I’m saying is, really, in this age of phones and internets and social media, it’s easier for me than it would have been for any of those writers, despite my illnesses, the physical limitations I might face, the frustrations I feel.
So, interacting with other writers, writing book reviews, making the home a welcome place for creative folks, writing, sending out work, promoting work once it’s out there – that is all work that I need to prioritize as much as I do my health issues.
So that’s what I’m thinking of when I think about the coming year. What about you? Any advice? Any goals of your own? Leave them in the comments!
Trying to enjoy spring in between doctor and dentist appointments, running around taking pictures of different flowering trees (right now crushing on pink dogwood, lilacs, and crabapple.) I’m also trying to write more and I’m trying to do a really close revision of my two manuscripts before I sent them out again. I’m going to talk a little later about how to think about finding your dream press, something I’ve been thinking about a lot…
I posted this on Twitter, and then on Facebook, because I am genuinely interested in other writers’ answers, whether you’ve published one book or twenty!
I’ve been married happily for almost 25 years (in July.) So I’m not looking for a dream partner, I’m looking for a #dreampress.
What does your dream press look like? Mine looks like this: pays royalties, does some PR for you, helps get your book reviewed and puts it up for awards.
What qualities does your dream press have? Does the press help you place poems after they take your manuscript in high-profile journals? Get blurbs for you instead of making you beg for them? How many author copies does it give you? Does it give you input on the cover?
Answer e-mails promptly? Helps you set up a book tour? Helps promote you on social media? Has great distribution in bookstores? Has careful editors? Tell me more about your dream press in the comments!
I’d love to see this in public conversation, because my perception is that most poets (and even fiction writers) are so excited to get a book published, they don’t think about what kind of press they want to work with and send to every contest and open submissions. Does the press represent poets of color, women, people with disabilities? That’s something I look at now more than I used to.
On Twitter and Facebook, several people praised their presses and others said “whatever press publishes me” and others talked about their priorities for a press. It’s not like there are infinite numbers of poetry presses, so it isn’t that hard to research and find out something about the press before we send out these days. I recommend at least looking at a couple of books they have produced. Do you enjoy the style of work? How are the books presented? What do the covers look like? How are they formatted? How are they distributed? How does the press support their authors? All of these things make a difference.
I’m thinking hard about this as I send out manuscripts for what will be my sixth and seventh books. I feel like at this point I need to think hard about what presses are a good fit for my work and would be great partners in the process. If this means I send out a little less than I used to, that’s okay. I’m hoping to find the perfect partner for each book.
So please, jump in! What makes working with a publisher a pleasure? What things are absolutely non-negotiable?
In a month that has been almost entirely rainy, we went up the day before Easter – a day that started gloomy, but turned sunny in the late afternoon – to La Conner, Washington for the Skagit Valley Tulip Festival. I don’t have quite as much stamina to tramp in the fields the way I used to, but it was still wonderful to see the fantastic flowers, La Conner was cool but sunny, had many bald eagle sightings. The tulip fields never fail to inspire me. This time I came home and wrote a poem after Sylvia Plath’s ‘Tulips.” Here are a few pictures of flowers, eagles, and us posing among the flowers!
Glenn and I in tulips
River of tulips and muscari
bald eagle pair at Fir Island
I pose in tulips
Tulip fields with Mt Baker
April Rains and One More Week of Poetry Month
This shot reminds me of what I love about spring in the Seattle area, the parts I haven’t gotten out enough it because April has been almost unremittingly cold, gray, and rainy. It’s almost my birthday. This month has had a lot of medical appointments, dental appointments (why is this always the case around birthdays?) which can be both anxiety-provoking and depressing. I have to get even more blood work and another brain MRI in the next two weeks.
Glenn took this shot – thinking about possibly using it as an author photo – yay or nay?
I’ve been writing but haven’t been submitting as much, and I need to work on a book review and getting my two manuscripts-in-progress ready for another round of submissions. Submitting seems to take more mental energy than writing – or is it that writing poetry is more fun that submitting and revising, so it seems to take less energy? Anyway, I’ve found myself fairly exhausted this month, more than the usual MS “tired-after-trying-to-do-stuff” type – plus fighting off some pretty severe anemia. My usual coping mechanism for this stuff is socializing – which I haven’t been able to do enough of – and getting outside, which I also haven’t been able to do enough of. We did manage to plant another tree (after the little Pink Lady apple, a bare-root late-blooming pink cherry which I hope survives) plus we’re slowly filling our planter boxes with annuals. And the birds have been singing through the storm.
The weather report is starting to show some clearing, plus my birthday (not a big deal birthday, but still) is a few days away, and I’m going to try to do something fun that day – go to an art gallery or the Japanese Gardens. Or maybe Open Books!
I am wishing you all a great final week of April, National Poetry Month. I am wishing you all health, more poems, and more flowers.
“Eek! I haven’t done enough poetry!” Some of you might be thinking. Hey, relax! April is not just poetry month, it’s also a beautiful season of flowers (and here: rain, rain, and more rain) and my birthday month! It’s time to do some fun stuff outdoors, plant some flowers, write some poems, buy some poetry books you might have been wanting, sit around, relax. Spend time convincing me they’re not trying to turn Daenerys into a villainess. Read a little, write a little. Go to a reading…
From the latest issue of Menacing Hedge
Three New Poems in Menacing Hedge
The new issue of Menacing Hedge is out, and I have three poems in there, along with other poet friends like Maya Zeller! Sneak peek at left, to one of the poems that forms the theses of my next manuscript-in-progress!
And another poem tells you how to make a narrative poem work.
Natasha K. Moni, me, and Ilya Kaminsky
Ilya Kaminsky and Mark Doty Read at a Seattle Coffee Shop, and I Was There For It
We’ve had a number of terrific readers in Seattle recently, but I hadn’t been well enough (or free of doctor’s appointments enough) to make it to any until yesterday. Last night Ilya Kaminsky read from his terrific new book, Deaf Republic, and Mark Doty read poems, and it was wonderful to see them plus say hi to a punch of local poets I don’t see often enough. Thanks are due to Susan Rich for arranging the reading!
Me with Cherry Trees
Glenn shot this pic on the way to the reading. We pulled over in a school parking lot because the cherry trees were so astounding! I have been hibernating a bit lately due to cold weather and being slightly under the weather, but it was so cheering to hear such great poetry and see so many friends in a warm setting. And there’s something rejuvenating about getting out, dressing up a little, being around humans who aren’t trying to take blood or give you a prescription!
More cherry pouf blossoms
I am wishing you all cherry blossoms, good poetry luck, and some happiness is a world that seems to be always on fire. Take a breath. Listen to the birds whistling in the rain.
Are you enjoying April so far? We’re having our longest, rainiest, grayest stretch so far this year in the Seattle area, and I have been down both physically and emotionally, so not a lot of getting out and about, though I have a couple of shots of cherry blossoms at the Seattle Japanese Gardens. I am planning to get up to the tulip fields sometime soon, too! Those always cheer me up.
April Blooms (and Gloom) and NaPoWriMo
Glenn and I with camellias
cloudlike puffed white cherry blossoms
Cherry blossoms and rhodies
Glenn and I at the Japanese Garden in spring
Do you try to write a poem a day (NaPoWriMo?) in April? It’s National Poetry Writing Month as well. I don’t love prompts (or the pressure to write every day) but I always do write a bit more during April. April is also my birthday month, so I always have a lot of emotion – blossoms, birthdays, poetry, and always, always, inevitably, some damn medical testing! LOL. I went in for some routine blood work to see if I was well enough to start a new MS drug, and the results came back that I was severely anemic (like, enough to get an iron IV?) and sicker than I thought. I had felt a little tired and groggy since I got back from AWP, but I thought it was just MS and allergies. So I am doubling up my iron (steak! mushrooms! beets!) as well as supplementing with iron, folic acid, and b12 and apparently need to rest and get better from a big upper respiratory virus. I’ve been trying to read more, sleep more, take my vitamin c and up my liquids. I have written maybe five poems that I’ve liked so far this month, and lots of weird fragments. The black hole (of course) inspired one, and somehow every time I have to walk into a hospital in spring I write a poem about it. I’m also working up the courage to send out my two in-progress poetry manuscripts out some more – one is very political and feminist, and the other is more somber in tone, about getting diagnosed with cancer and then MS, and all the surrounding solar flares and eclipses. I also have to send out some work – during my down time after AWP, I’ve gotten lots of poems back (hello rejections!) so I have to get on the ball. I was encouraged that I got a positive, ‘send more’ rejection from the one piece of fiction I had out – I don’t have more, but it was nice. I may try to write another fiction piece this month if I get inspired – it’s much harder work for me than writing poems. I listened to a Sylvia Plath reading and realized how much her sense of line and sound – I started reading her at around 19 – had influenced my own work. Her voice was pretty great, too, kind of deep and clipped and a pronounced New England accent. I also have a review or two to do. I find that reviewing takes a different kind of mental energy than poetry writing – or even fiction writing. I also have plenty of reading from the stack I brought home from AWP! Which reminds me…
A Few More Post-Mortem AWP Thoughts…
A few more thoughts from Portland’s AWP now that they’re over and I’ve had some time to think.
A Greater Influence of Social Media – I noticed this for the first time at this AWP, and no so much at AWP LA (2016.) Many people – including the nice people at registration – mentioned how they followed me on Twitter, Instagram, the blog, or Facebook. I had lots of people come up already familiar with my writing, my life, and tell me things that had inspired them or that they loved. That was really nice, and different. I literally could not walk (or wheelchair) anywhere without stopping to talk to people who recognized me (again, this did not happen at AWP LA.) So what does this mean? All of our work on social media is not in vain, after all? That it really does help build community? Especially meaningful: writers who also had MS or other medical problems who told me reading about my journey had helped them. Wow. Also got a lot of positive feedback about talking about the discouragement of rejection. Interesting!!
Bigger Bookfair: I missed seeing some big names at the Bookfair (some pretty big places decided not to have a table this year) but it had to be one of the biggest bookfairs ever – I don’t think anyone could hit every table over three days. And there was a bonus off-site small-press bookfair for local small presses that couldn’t afford AWP (I loved the idea, but did not make it.)
It’s Hard to Take Your Own Advice: So, remember all those posts about eating and drinking enough and getting off-site from AWP and enjoying the city? I got off-site exactly one time, and ended up subsisting on handfuls of carrot sticks with Greek yogurt in between events, and sometimes string cheese. Never had time for room service or a regular meal of any sort, because I was rushing around so much – partly because it was hard to get around and to and from the hotel due to construction, but partly because I expected to have the same pace I had when I was younger. I should have scheduled much less. I’m afraid AWP had more of a toll on my health than I should have let it have. Note I am still mostly in recovery mode!
AWP: A husband’s perspective. Glenn was able to come to all of my events because of the “accessibility assistant” ticket he got to AWP, and besides the difficulties getting into off-sites and into the conference area itself (“they need to do a better job of making off-sites handicapped-accessible,” he said, “and the entrance was much too far from the bookfair”) he seemed to have a pretty good AWP experience. I always think about how weird industry conferences appear to outsiders – after all, I’ve been to robotics conferences, web security conferences, and Microsoft tech conferences – but people were very friendly to Glenn – many recognized him from pictures on social media – and he thought all the readings were very engaging. He was sad we didn’t get to see more of the bookfair, which he felt was much easier to navigate than, say, the art-and-comics fair at San Deigo’s ComicCon, in a wheelchair. We do have a lot of friends around the country now – which made the whole conference feel more convivial.
Overall, I am glad I went, but probably won’t go for the next few years (San Antonio, Kansas City, and Philly are all pretty far from Seattle, and travel can be problematic with a wheelchair and a faulty immune system.) I hope the next time it comes within my orbit it will be a little more disability-friendly. We can always hope! That would have made things a little easier. I’m glad I got to see so many friends and faces from the literary community across the country – friends from Florida to California, and all points in between, and it’s always nice to discover new lit mags and publishers that might not have been on your radar. I wish I had gotten out into Portland more – it was mostly beautiful weather and I had a plan to hit a couple of bookstores and art galleries that didn’t happen. And now, into April – hoping I can get my energy (and iron) back, get out into the tulips, and get some more writing and submitting done!
Jeannine Hall Gailey served as the second Poet Laureate of Redmond, Washington and the author of Becoming the Villainess, She Returns to the Floating World, Unexplained Fevers, The Robot Scientist’s Daughter, and winner of the Moon City Press Book Prize and SFPA’s Elgin Award, Field Guide to the End of the World. Her latest, Flare, Corona from BOA Editions, was a finalist for the Washington State Book Award. She’s also the author of PR for Poets, a Guidebook to Publicity and Marketing. Her work has been featured on NPR’s The Writer’s Almanac, Verse Daily and The Year’s Best Fantasy and Horror. Her poems have appeared in The American Poetry Review, Poetry, and JAMA.